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History of the National Theatre Ballet in the years 1930-1951
Routková, Kateřina ; Bendová, Eva (referee)
The rigorous thesis deals with the influence of the 20th century political events on the National Theatre Ballet. The researched period is set out by the years 1930-1951. The work follows the pre-war situation of the two ballet leaders Jelizaveta Nikolská and Josef Joe Jenčík, the rise and fall of German nationalism, the dance-related career of Emanuel Famíra, post-war Czechoslovakia, the rise of communism, the dark fifties and the work of Saša Machov. The research of ballet specifics is dealt with in the circumstances of the time. The character of the time is further illustrated by the destinies of the group's leaders (or its soloists), the selected repertoire and the reviews that evaluated the individual works. It is therefore not a chronological listing of the activities of the National Theatre's ballet troupe, but an analysis of the influence of the contemporary political situation and an attempt to place this often neglected component of the National Theatre in a historical context.
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The Influence of Political Systems and Ideologies on the National Theatre Ballet in Prague in the 20th Century
Routková, Kateřina ; Čechura, Jaroslav (advisor) ; Doležalová, Eva (referee)
Název v anglickém jazyce: The Influence of Political Systems and Ideologies on the National Theatre Ballet in Prague in the 20th Century The subject of the Thesis is the influence of political systems and ideologies on the National Theatre Ballet in Prague. The period of research spans mainly from the theatre season 1923/1924, when Remislav Remislavský was appointed the post of ballet master and choreographer, to the season 1989/1990, when Vlastimil Harapes assumed the post of the ensemble's chief. Two main periods are underlined: the period of World War II and the subsequent period of the Communist Party government after 1948. Persons of interest are mainly the bosses of ballet company for example Jelizaveta Nikolská, Joe Jenčík, Saša Machov or Jiří Němeček st. and others, but also soloists, and the repertoire of the ballet corps. This thesis is a scope of the evolution of ballet of National theatre in concern of political changes in 20th century.
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The Influence of Political Systems and Ideologies on the National Theatre Ballet in Prague in the 20th Century
Routková, Kateřina ; Čechura, Jaroslav (advisor) ; Doležalová, Eva (referee)
Název v anglickém jazyce: The Influence of Political Systems and Ideologies on the National Theatre Ballet in Prague in the 20th Century The subject of the Thesis is the influence of political systems and ideologies on the National Theatre Ballet in Prague. The period of research spans mainly from the theatre season 1923/1924, when Remislav Remislavský was appointed the post of ballet master and choreographer, to the season 1989/1990, when Vlastimil Harapes assumed the post of the ensemble's chief. Two main periods are underlined: the period of World War II and the subsequent period of the Communist Party government after 1948. Persons of interest are mainly the bosses of ballet company for example Jelizaveta Nikolská, Joe Jenčík, Saša Machov or Jiří Němeček st. and others, but also soloists, and the repertoire of the ballet corps. This thesis is a scope of the evolution of ballet of National theatre in concern of political changes in 20th century.
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Freemasonry in the Course of the History
Routková, Kateřina ; Čechura, Jaroslav (advisor) ; Doležalová, Eva (referee)
Freemasonry in the Course of the History. The present work deals with the historical development and function of the organization of the brotherhood of Freemasons. Based on the available literature, this work tries to summarize especially the mythical aspects of the modern history of the organization after 1717. An emphasis is placed on the development of the English and French Freemasonry, but this work also briefly introduces the reader to the situation in other European countries and in America. Furthermore, the work deals with Masonic symbolism, which is an integral part of the organization and certainly essential to a sufficient understanding of the organization. An important chapter deals with initiation the ceremonies and the rituals that illustrate the general idea of Freemasons. In conclusion, the paper presents an analysis of the relationship between the organization and the Church, in historical context, and the position of women among the Masons.
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