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Significance of characters in modern cinematic fairy-tale by Ota Hofman
Pařízková, Tereza ; DUFEK, Jiří (advisor) ; DUTKA, Edgar (referee)
In this work I deal with analysis of purport of magical characters in Ota Hofman's work.
Hofman is a founder of modern cinematic fairy-tale in Czechoslovakia and his work cinematic and literary is known worldwide. My aim is to describe and categorise his world in its own developmental stages and peripeteia, showing intensity of authorship in his work. Connecting children's psychology with behaviour and motivation of his characters, I would like to show the children's world as seen through Ota Hofman's eyes.
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Staff motivation and benefits
Pařízková, Tereza ; Filipová, Vladimíra (advisor) ; Bůbal, Jaromír (referee)
The topic of the thesis is the staff motivation and benefits. The work is primary targeted at the motivation of young employees without higher education. It describes the possibilities how to motivate and reward employees according to the experts, it is researching through the questionnaire which motivators are the most preferred among the employees of the LIP distribution Ltd. and which ones are preferred in general, regardless the education, age or economical situation. It subsequently compares those results, finds conclusions and recommendations for the LIP distribution Ltd. company.
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Chantal Akerman
Pařízková, Tereza ; Dufek, Jiří (advisor) ; Bernard, Jan (referee)
In this work I am focusing on the personality of Belgian director and screenwriter Chantal Akerman and her style in the movies Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles and La Bas. I chose these two between many for different reasons. These are one of her first movies and one of her last ones, however there is a strong bond between them.
Both movies are similar in how the main character ? a woman who stays at her home better than anything else ? is perceived by the audience. Both women are happy in their stereotypical life and they are fully dedicated to the everyday house chores which stands for some kind of therapy to them. None of these two women is realizing this obvious fact though.
I use these two very personal movies to point out the main topics in Akerman's work. I also use a theory of Posttraumatic Stress Disorder (PTSD) to explain the character of Jeanne Dielman more.
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