Home > Search Results: Pátek, Filip
Search:
Search Tips :: Advanced Search
Search collections:
Sort by: Display results: Output format:
National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Landscape As a Way of Seeing and Its Critique
 Pátek, Filip ; Dadejík, Ondřej (advisor) ; Kaplický, Martin (referee)
This diploma thesis deals with landscape as a way of seeing, its critique and its defense. The thesis will initially focus on the presentation of the critical concept of ways of seeing by English art critic and writer John Berger. On the basis of this, the thesis will move to the exploration of the critical concepts of landscape and landscape painting by British humanistic cultural geographer Denis E. Cosgrove and American visual theorist and philosopher W. J. T. Mitchell. Subsequently, it will also deal with the relationship of these concepts to the concept of landscape by English historian and art historian Simon Schama. Cosgrove and Mitchell both deal in a similar way with the critical reflection of the idea of landscape in terms of postmodern and postcolonial criticism. Both authors are influenced by Berger's concept and claim that our aesthetic perception of landscape is not a natural vision, but an acquired, historically created way of seeing. This way of seeing then raises a number of questions in relation to the traditional conception of landscape aesthetics and can lead to a rethinking of traditional concepts such as aesthetic attitude, psychical distance or the idea of disinterested pleasure. Opposite to it, the thesis intends to present an optimistic concept of landscape by Schama. The...
Detailed record
Theme of Psychical Distance in Otakar Zich's Concept of Dramatic Art
 Pátek, Filip ; Kaplický, Martin (advisor) ; Zuska, Vlastimil (referee)
This bachelor's thesis focuses on the comparison of the concept of psychical distance of Edward Bullough with the concept of dramatic art of Otakar Zich. Bullough at the key points of his essay on psychical distance refers to the dramatic art, but unified concept of this art he does not present. Zich in his work, which tries to present unified concept of dramatic art, does not refer directly to Bullough's concept of distance, but it is still possible to find in the works of both authors analogical moments. The aim of this bachelor's thesis is to find these moments and systematize them. The first part of this work deals with the presentation of Bullough's concept of psychical distance, the second part deals with the presentation of Zich's concept of dramatic art and the third part is devoted to the comparison of Bullough's views with selected themes of Zich's aesthetics of dramatic art. Keywords psychical distance * aesthetic attitude * dramatic art * theatre * semantic idea
Detailed record

Interested in being notified about new results for this query?
Subscribe to the RSS feed.
Digital Repository :: Search :: Submit :: Personalize :: Help
Powered by Invenio v1.1.2
Maintained by admin.invenio@techlib.cz
This site is also available in the following languages:
Česky  English