National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Trans narrative
Machajová, Dana ; BENDOVÁ, Helena (advisor) ; POSPISZYL, Tomáš (referee)
In my thesis I compare various trans* representations in fiction films, documentary films, TV series and video journals on the internet. I assume, that projections of trans* people differ in stories they tell, depending on media in which they are constructed. Most of the visible trans* stories in media are "being reborn to the right body testimonies (in opposition to the wrong body given at birth)". This is connected to the legislative rules one must follow if he/she wants to have his/her gender reassigned. Trans* activists in global context take steps closer to legislative changes that lead to bigger tolerance and freedom of gender expression. In analysis of characters of seven fiction films, three TV series, four documentaries, one reality show and work of three trans* video bloggers, I demonstrate, that the representation of trans* identities in mainstream media space is reductive and works within strict rules. These rules relate to pathological default setting of the trans* status. On the other hand, the more authentic the material is, the wider variety of stories we see..
Subject-Author-Self-Portrait
Machajová, Dana ; Pospiszyl, Tomáš (advisor) ; Bendová, Helena (referee)
The focus of my bachelor´s thesis is aimed at the connection of the functions of self-representation in arts during different periods in the history to philosophical concepts of the subject and concepts of the author. The anonymous creator of art (which was always socially legitimated) was replaced by the author brought to light with the birth of the modern subject. The ?mirror picture? of oneself in the other´s eyes is for the subject the essential constituting moment. Modern subject is above all ruling entity with all powers to control its representation and material world around. What happens to the subject when the logical modernist structures start to fall apart? Postmodern subject loses its contours and it becomes matter or the construct of a certain context. How is this connected to the invention of photography and the rise of masmedia and its machinery? And what will happen with the subject today, when everyone can have one´s own communication channel on the internet?

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