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METAMORPHOSIS OF THE THEATRE COSTUME FROM A CONVENTION TO AN EXPERIMENT
Nguyenová, Ha Thanh ; KRÁLOVÁ, Andrea (advisor) ; TÄUBELOVÁ, Kristýna (referee)
In my final Master´s thesis I focus on the costume´s progress from the basic habitus function. Therefore, I also mention crucial historical eras, which specified the form of costumes, predetermined its development and predicted tendencies, which might affect its evolution. I refer to its role in action stage design. In addition, there are examples of specific artists and their work. Furthermore, I also focus on the chapter about innovative materials and technologies, which may be very useful and highly beneficial for the costume design. In the practical section I refer to my Master´s project, play Froth on the Daydream (Boris Vian), and its realization. Apart from this, I also mention some others of my own projects, such as dance performances, and some attractive principles of technological solutions I have used.
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Traditional Puppet Theatre in the Territory of Slovakia
Gontková, Ivana ; HAMAR, Juraj (advisor) ; KRÁLOVÁ, Andrea (referee)
The focus of the master thesis is the traditional puppet theatre in the territory of Slovakia. The master thesis deals with its history and how its tradition continues at present. It maps the development of the puppet theatre from the point of view of stage design and repertoire. It discusses the perception of puppeteers in the past, their traditional roles and at the same time it introduces the most important puppeteer families and their followers. It presents the elementary types of marionette and puppet theatre. In case of puppet theatre the master thesis points to the developmental interconnections of the origin of comical characters in particular countries and the tradition of puppet theatre in such countries as Great Britain, Italy, France, Holland, Russia, the Czech and Slovak Republic.
The aim of the master thesis is to summarise the knowledge on traditional theatre and its present form in Slovakia. It also aims at the examples that revive the tradition. The work is divided into two parts, theoretical and practical. The theoretical part consists of three chapters, the fourth chapter is the practical part. The first chapter examines the origin of puppets and their development. The second chapter deals with the traditional marionette theatre and its representatives, repertoire and traditional characters. The third chapter is devoted to traditional puppet theatre and it deals with its development in particular countries in more detail. The fourth chapter is the practical one and is the result of the research on traditional theatre. It contains the sources of inspiration, text, the project description and development and photographical documentation.
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Comparison of Creation Process of Film and Theatrical Liturgical Costume with Regard to Local Historiography.
Grňáková, Aneta ; KRÁLOVÁ, Andrea (advisor) ; SMOLÍK, Robert (referee)
The thesis compares the creation process of film and theatrical liturgical costume with regard to local historiography. In the theoretical part, terms as film, theater and photography are defined; further the circumstances of shaping a dramatic figure are described. Adriena Šimotová, Ester Krumbachová and Ivan Pinkava are mentioned as my inspiration sources. In the practical part I describe implementation procedures of the following projects: Costume as Memory of a Space, Body as its Imprint, Maria stock, Skoky - Layers, I, Olga Hepnarová and the factors which affected and shaped my work.
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WORKING DIARY
Svobodová, Veronika ; ADÁMEK, Jiří (advisor) ; KRÁLOVÁ, Andrea (referee)
The text is conceptually divided into four segments. In the opening part I
reveal ideological basis, i.e. initial ideas, stimuli and main sources of
inspiration for my artwork. Next section exhibits free associations of thoughts
and follows my stream of consciousness as an author. In the interior
monologue I create network of essential and formative experiences and
encounters that has shaped my approach to creative work. Third part
presents theoretical background of the thesis and I deal with the nature of
perceptual experience and the dominance of visuality in the contemporary
technological and mass popular consumer culture. The chapter also briefly
outlines possibilities of displaying visible objects along with the historical
development of perspective in visual arts. The final part is dedicated to my
own practical outcomes, specifically installation BU (festival Arijuli 2015 in
Norway) and sensory theatre performance Močeradek gre čez cesto
(Lutkovno gledališče Ljubljana 2013) based on work of Slovenian poet Srečko
Kosovel. In these projects, I have dealt with the questions of how to create a
platform on which the viewer and artistic artefact could meet or how to ideally
accentuate space and time in order to encourage audience to stay actively
participating. Both projects are intentionally reflected together with the
description of immersive theatre. At first I describe fundamental principles of
the relatively new phenomenon, in particular the need of complete immersion
of the viewer into the artificial environment/fictional world that is arranged by
special medium aiming to influence his/her senses. The main goal of the
thesis was to uncover practical guidelines related to the issue of creative
methods in the field of immersive theatre. Hence my concluding statements
provide elementary instructions and "rules of game" for both audience and
author.
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FRONTIER STAGE DESIGN
Syrůčková, Klára ; KRÁLOVÁ, Andrea (advisor) ; SMOLÍK, Robert (referee)
Diloma thesis focuses on realisation of several projects in a straight line of
the landscape which becomes equal stage element. Author interests in czech
border region. Everything starts with idea about landscape, stage and their
common relations beyond development concept of meaning Sudety and its
history. There the author comes with her own projects, the most important one
is called Königsmühle. In this abandoned and extinct sudet village in Krusne hory
she worked on several theatrical projects. Next few projects were set up in Maria
Stock, Mayrau mines and Podboranky. In all these places we can find living
history, which is getting alive and personal observes upgrade it with their
memories. Author adds a description of some others projects and personal
experience from layover in Turkey.
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MARGINAL MUSIC SUBCULTURES AND EASTHETIC CONNECTED WITH THEM AS A STARTING POINT OF THE AUTHOR'S PERFORMANCE.
Burdová, Barbora ; SMOLÍK, Robert (advisor) ; KRÁLOVÁ, Andrea (referee)
The whole thesis has been trying to have a look into marginal music subcultures
as a field of inspiration necessary with forming an author´s performance.
One of the main sources of that is the metal sub-culture which is divided into
other sub-sub-fields.
Author is fixing the blackmetal sub-culture into center of attention and she is
trying to undercover its possibilities by theatrical items. She is trying to look at
common values between theater and metal music and she is interested in how to
utilize music itself, which actually serves as sound curtain only.
During authors creation she is interested into expression means replacing the
text. Into the front position metal aesthetic is posted, as an outlet of
scenographic way of thinking and creating, and last but not least, it is the main
concern of interpretation of Sami´s culture and its transformation into theatrical
form.
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IDEALS OF BEAUTY
Rozsnyóová, Lenka ; TÄUBELOVÁ, Kristýna (advisor) ; KRÁLOVÁ, Andrea (referee)
The aim of this thesis is to analyse the concept of female beauty from the
historical perspective as well as to analyse the possibilities of processing this topic in
the context of theatre, more specifically scenography. First part of the thesis focuses
on defining the actual term beauty and general perception of the female beauty
within different historical periods. What is strongly linked with such a theme is a
problem of one's individuality, therefore contemplation on this theme is also included
into the first part of the thesis. Second part deals with subjective point of view of the
author and also with her attempt to procces this theme in her original theatre
performance. Pictures mapping the creative process of the author's performance are
attached at the end of the thesis.
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Marketing Strategy of a Selected Company
Králová, Andrea ; Zeman, Jiří (advisor) ; Filipová, Alena (referee)
This diploma thesis deals with the marketing strategy of a selected company. The selected company is a catering facility called Labyrint CBR (a restaurant, a café and a bar), which was situated at the square of Přemysl Otakar II. in České Budějovice. The theoretical part consists of two chapters. The first one deals with the term strategic marketing and the phases of the process of the design of the marketing strategy. The second chapter deals with the specific features of the services and the sector of catering and hospitality, which affect the design of the marketing strategy, and then it deals with the specifics of the marketing in this branch. The practical part deals with the analysis of the reasons of the failure of the company Labyrint CBR and the design of a suitable marketing strategy and marketing mix, which - in case of their well-timed implementation - should have saved this company.
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Mask in Modern Art Theatre
Brejcha, Jan ; SMOLÍK, Robert (advisor) ; KRÁLOVÁ, Andrea (referee)
In this bachalor´s thesis, I will deal with the use of masks in the author's art theater. After a short introduction, in which I will concentrate on the definition of the mask, it´s evolution and division, I will discuss three own projects (one realized, one unrealized and one waiting for induction this year). In all these projects, I will watch the selected phenomen, the use of mask and always I try to apply masks concept on my own creation.
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The Development of Masquerade and Carnival Costumes
Nečas, Jan ; KRÁLOVÁ, Andrea (advisor) ; SMOLÍK, Robert (referee)
This dissertation notices development of masquerade costumes in the Czech
Republic and carnival costumes in Venice. In introductory part Jan Nečas describes
the beginnings of Shrovetide festivities and their development in costumes and
masks. In the next part of this dissertation he deals with the development of
carnivals, typical masks and carnival costumes in Venice. In the fourth part of this
dissertation author introduces and reflects his own work in pursuance of production
of a folk masquerade and city carnival costume which is used for carnival procession.
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