|
|
The form of "malen'kaia poema" in the poetry of Elena Shvarts
Mini, Riccardo ; Kosáková, Hana (advisor) ; Kapičiak, Jakub (referee) ; Uspenskij, Pavel (referee)
Riccardo Mini - Abstract Advisor: Prof. Alessandro Niero Co-Advisor: Prof. Hana Kosáková Title: Жанр маленькой поэмы в произведениях Елены Шварц Связь с традицией и элементы поэтических инноваций The form of the malen'kaya poėma in the work of Elena Shvarts Relationship to tradition and elements of poetic innovation My dissertation aims to analyse the genre of the malen'kaya poėma (short poėma) within the poetic work of Elena Shvarts. The study develops in three main directions. Firstly, it follows the evolution of Elena Shvarts's career as a poet, with particular attention to the context of the Leningrad Underground and the main characteristics of Shvarts's poetics. Secondly, it revolves around a comprehensive examination of the genre of the malen'kaya poėma, including its historical antecedents within the Russian poetic tradition. Finally, ten out of the fourteen poems of the Malen'kie poėmy collection, published in the second volume of the poet's complete works, are analysed. As mentioned, the thesis unfolds across three principal dimensions, with the following specific aims: 1. To identify the main features of Elena Shvarts's poetics using examples from the malen'kie poėmy, the poems and the poėmy, as well as her prose and essays. 2. To retrace the sources of the genre of the malen'kaya poėma and...
|
|
|
The period issue of the satirical signs of socialism of the work "Black Barons" from the perspective of Lotman's works
Dovhanič, Pavel ; Češka, Jakub (advisor) ; Kapičiak, Jakub (referee)
This thesis attempts to clarify the period issue of satirical signs of socialism of the prose "Black Barons" with regard to the Czechoslovak normalization culture. It focuses primarily on the historical role of the work and its artistic components. It studies them with a particularly semiotic perspective of Lotman's texts culturally and literary. Its core is then an analysis of the literary structure of mentioned book. It is realized with regard to the partial characters and aims to find out which specific parts of the world of the story are ridiculed and for what exactly the title is (at the time of its first publication) censorial unacceptable. Keywords: sign, language, system, structure, culture, socialism, satire, Black Barons
|
|
|
I Write, Therefore I Am (Not): Performative Poetics of Dmitrij Prigov
Kapičiak, Jakub ; Ulbrechtová, Helena (advisor) ; Kostincová, Jana (referee) ; Olšovský, Miroslav (referee)
The aim of the dissertation is to analyse works of a Moscow conceptualist Dmitrij Prigov. Prigov approached his medially diversified legacy (that was characterized by media diversity and quantitative hypertrophy) as a life-long project Dmitrij Aleksandrovič Prigov. (project DAP). One of the goals of the project was to remain unidentified, which means to suspend the straight-forward relation between an individual media product and the intention of the authorial subject. However, the connection between the media products and the authorial subject preserved. It is the modality of the connection that changed. The dissertation focuses on the analysis of the modality of the connection. The research begins with an analysis of the media products and proceeds toward the issue of authorial subjetʼs identity construction. Nevertheless, it is the media products that the identity of the authorial subject is constructed by. Authorial subject, however, plays the role of the (co-)agent in the production process of the media products together with other non-human agents like iterable patterns, instruments, techniques and semiotic systems. Methodologically, the dissertation emerges from the intersection of media theories, social theories and the theoretical reflection of the phenomena gathered under the umbrella...
|
guest ::
