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Presentness
Šmerdová, Markéta ; Jezbera, Ladislav (referee) ; Ambrůz, Jan (advisor)
I aim to conclude my four-year study with the following thesis, which puts at work all the knowledge and experience that I have accumulated during my study of body art. Professor Jan Ambruz, who oversees Sculpture Studio 2, inspires a unique feeling of passion in his students, a feeling which every one of them utilizes in his or her own way. His studio provided me with a great deal of artistic freedom. I became inspired by Andrea Simotova’s work through my own personal experience. It was also doc. Pavel Korbicka who – as her close friend and colleague – acquainted me with her work and personality, while inspiring me to do in-depth research. As I studied her work, I discovered that the core of her artistic production lies in the exploration of femininity. I may scarcely compare my life to hers; however, the woman and her artistic production have touched me on a deeply personal level – especially through the measure of intimacy that she employs while exploring her own life. In my thesis, I would like to employ both my knowledge of the body and my feelings towards myself.
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Branching
Bartošová, Zuzana ; Jezbera, Ladislav (referee) ; Ambrůz, Jan (advisor)
In my bachelor work I am mostly focusing on wood and construction. I work with branching and layering information. Common for my work is the multiplication of one element. I deal with branching and an endless amount of possibilities. For the work, I chose branches from our gardens, which I cut in spring months to help the trees by harvesting some of them. I am using this useless material, which would be normally burned or composted naturally, to create an installation in the space of a sculpture studio. I am working with Site specific installation located precisely in this environment. I created a spiral made of these branches, for which I have built the construction from found pieces of wood. The massive structure becomes a full-fledged part of the installation. During creating of the construction there are appearing new environments inside the installation and in a way, a new reality. Installation is growing towards the alcove window. It can symbolize the difficult climbing, complicated journey to the destination and the chaos of the mind. At first glance it seems to be a chaotic construction, however it has its order and each part has a function. The individual pieces of wood are built orthogonally screwed together to a massive form which supports the spiral. I created a unified work, which is connected and complemented.
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Nothing Around Us
Michálková, Kateřina ; Jezbera, Ladislav (referee) ; Ambrůz, Jan (advisor)
The work Nothing around us is based on reflection of the present. From the beginning it was clear that it will deal with the space. The space around us, the environment in which we live, our perception of the surrounding and our feelings from it. The surrounding world is one, but everyone perceive it in their own way because our ideas about the world are different. The Nothing that I wanted to show was always only apparent. Over time, I moved from general considerations of the functioning of the world to explore my own place in it. I focused on myself, on my own feelings and needs, perhaps for the first time in my work. Desire for solitude, peace, freedom from all around was the strongest one. To be somewhere, where I do not perceive anything around me, opens my inner space and allows me to explore happening in it Staying in absolute darkness reminds of already forgotten memories. Mind is able to create the illusion of nonexiatent light. I tried to transfer This state to the light installation in the former factory Mosilana in Brno.
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Interventions
Stejskalová, Šárka ; Jezbera, Ladislav (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis I deal with the landscape and the influence of man on its changes. I focus on the landscape we visit for solitude and peace. I realize that by careful perception, a person's legacy can be found almost everywhere. In my work, I emphasizes places where nothing human happens at first glance, but on closer inspection, escape from society is almost impossible. In purely natural scenery, I find evidence of human presence in various technical buildings, telephone wires, city noise and means of transport, or in tree rowing, or sharp saw cuts and regular traces of agricultural machinery.
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Interventions
Stejskalová, Šárka ; Jezbera, Ladislav (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis I deal with the landscape and the influence of man on its changes. I focus on the landscape we visit for solitude and peace. I realize that by careful perception, a person's legacy can be found almost everywhere. In my work, I emphasizes places where nothing human happens at first glance, but on closer inspection, escape from society is almost impossible. In purely natural scenery, I find evidence of human presence in various technical buildings, telephone wires, city noise and means of transport, or in tree rowing, or sharp saw cuts and regular traces of agricultural machinery.
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Presentness
Šmerdová, Markéta ; Jezbera, Ladislav (referee) ; Ambrůz, Jan (advisor)
I aim to conclude my four-year study with the following thesis, which puts at work all the knowledge and experience that I have accumulated during my study of body art. Professor Jan Ambruz, who oversees Sculpture Studio 2, inspires a unique feeling of passion in his students, a feeling which every one of them utilizes in his or her own way. His studio provided me with a great deal of artistic freedom. I became inspired by Andrea Simotova’s work through my own personal experience. It was also doc. Pavel Korbicka who – as her close friend and colleague – acquainted me with her work and personality, while inspiring me to do in-depth research. As I studied her work, I discovered that the core of her artistic production lies in the exploration of femininity. I may scarcely compare my life to hers; however, the woman and her artistic production have touched me on a deeply personal level – especially through the measure of intimacy that she employs while exploring her own life. In my thesis, I would like to employ both my knowledge of the body and my feelings towards myself.
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Nothing Around Us
Michálková, Kateřina ; Jezbera, Ladislav (referee) ; Ambrůz, Jan (advisor)
The work Nothing around us is based on reflection of the present. From the beginning it was clear that it will deal with the space. The space around us, the environment in which we live, our perception of the surrounding and our feelings from it. The surrounding world is one, but everyone perceive it in their own way because our ideas about the world are different. The Nothing that I wanted to show was always only apparent. Over time, I moved from general considerations of the functioning of the world to explore my own place in it. I focused on myself, on my own feelings and needs, perhaps for the first time in my work. Desire for solitude, peace, freedom from all around was the strongest one. To be somewhere, where I do not perceive anything around me, opens my inner space and allows me to explore happening in it Staying in absolute darkness reminds of already forgotten memories. Mind is able to create the illusion of nonexiatent light. I tried to transfer This state to the light installation in the former factory Mosilana in Brno.
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Light - Body - Space
Votavová, Lenka ; Jezbera, Ladislav (referee) ; Ambrůz, Jan (advisor)
Light - body - space - Bulb Instalation includes sixty incandescent bulbs (25 W), which flashing in certain interval. Bulbs covered all floor and their intensity of light create and change space around. Spectator has an opportunity to enter to the quickly changing field of instalation, which can confused him.
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