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Colour Grading on the Apple Macintosh platform
Gunaratna, Vidu ; Marák, Ivo (advisor) ; Jícha, Marek (referee)
This thesis deals with principles and practices of digital colour grading of cinematic images on the Apple Macintosh platform in Final Cut Pro and Color. It attempts to include all important aspects of the digital image that have to be known ahead of it's colour grading. The paper describes the correct working environment setup given by various technical standards, as well as with regard to human visual perception. It introduces tonal and colour correction tools such as lift, gamma, gain, masks etc., and explains their application. Further on, it practically explains the procedures of primary and secondary colour correction. Finally it turns attention to a specific method of colour grading in Final Cut Pro developed by cinematographer Marek Jícha AČK used by him to teach Colour Grading at FAMU, as well as in his professional life.
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Digital cinematography cameras for feature films
Karvánek, Lukáš ; Pesr, Jaromír (advisor) ; Jícha, Marek (referee)
In my thesis I´m trying to describe advantages and disadvantages of the digital imaging with high definition. The introduction describes basic technical parameters and the way of the work with a digital camera including brief list of the historical boundary mark.
Other important part of my thesis present the list of makers and their prototypes, characteristic of the apparatus and describes actual trends. In the second part of my work I´m trying to describe advantages and all possible complication, connecting with the postproduction processing of the digital data.
I´m closing the thesis with the production-producing consideration about possiblities of this method of imaging and thinking about possible crossover into the digital distribution form.
It is clear that information in the following pages became old very soon, but I think that is important to gain particular summary of this situation. Orientation in the digital forms of imaging will be soon accepted as a quota of the knowledge and producer as well as production manager should flow with it.
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Movment of film camera in the space of the scene.
Hubač, Jan ; Jícha, Marek (advisor) ; Macák, Jiří (referee)
The paper concerns movement of film ? camera in the space of the scene that is shot on the basis of Bergson's theses on movement. The author puts the subject into historical context and summarizes the basic movemenets of camera taking into account the way they are perceived and viewed by the spectator. Finally, František Vláčil's film Markéta Lazarová is analysed with the use of the findings from the theoretical part.
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