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Teaching of Mime theater in Slovakia
Kasprzyk, Tomáš ; HALAŠ, Adam (advisor) ; MUSIL, Dušan (referee)
Master’s dissertation about Teaching of mime in Slovakia is logical sequel to my
bachelor’s studies dissertation about Festival PAN. The dissertation begins with a
brief summary of some major slovak mimes and a new generation growing up at
Academy of Performing Arts in Prague. After pointing out the diversity and vitality of
slovak mime scene dissertation passes to the standing of mime art in slovak school
system, compares it with czech school system and ends with chapter about the
Association of professional mimes of Slovakia. My sources were mainly interviews
with slovak mimes and pedagogues of basic art schools, conservatories and
Academy of Performing Arts in Bratislava and the official documents of Slovak and
Czech Republic concerning art education. My inspiration was the founding of AMIS
association and festival PAN Art, both of which shift the perception of mime closer to
mime of today. With my education, which I acquired on Academy in Prague and my
experience in art and pedagogy I am an active member of the association and I act
as judge at the PAN Art festival and my goal as well as goal of this dissertation is to
provide a new perspective in the view of slovak mime and it’s teaching methods.
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Solo scene
Zelinka, Marek ; PETIŠKOVÁ, Ladislava (advisor) ; HALAŠ, Adam (referee)
Solo scene is the topic of this bachelor´s work. It is divided into two parts. The first general part deals with basic terms and concepts associated with performances of various dramatic and theatrical types. The second part is a solo performance research realized on various examples of representative performers and their solo performances across genres. Final summary presents personal evaluation of solo performance possibilities and alternations.
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Conversations with Jindřiška Křivánková
Fröhlichová, Marie ; SOPROVÁ, Jana (advisor) ; HALAŠ, Adam (referee)
The aim of the thesis is to describe the principles of creativity of Jindřiška Křivánková, senior professional and a highly experienced theatre performer; and confront her way of thinking and creativity with my own artistic view and my skills gained during my time of study at HAMU. Thereafter, the thesis will first elaborate on her theatre development, from the beginning of her carrier until now. Further it will addresses the major aspects and circumstances that led to her prospering in the field. It also examines the influence of particular personalities that helped her to develop her distinct views on theatre. A further discussion on the various aspects of artistic creation and creative process in a mutual confrontation of the two of us, in which we touch not only broad general issues concerning the culture and theatre, but also the special approaches towards it.
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Festival PAN
Kasprzyk, Tomáš ; HALAŠ, Adam (advisor) ; BENČIK, Juraj (referee)
Dissertation about Festival PAN was created in order to academically research Festival of mime and movement theater PAN in Liptovský Mikuláš and its 20 years of existence. The dissertation briefly covers personality of a founder and main organiser of the festival Miroslav Kasprzyk and his Studio of mime Kasprzyk, whose members were participating in festival competition and in time became inseparable part of organisation team of the festival. My information sources about history of PAN came from archive of Miroslav Kasprzyk, festival bulletins in electronic or paper finish. The most valuable source for my dissertation was questionaire, that I sent in electronic form to the members of Studio of mime Kasprzyk, the lectors, the participants, to the teachers at Basic art schools, who are coming every year to the festival PAN to compete and learn in workshops and to few proffesionals who are inspiration for children for their future.
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Art from the Site - Field Research and Its Staging Strategies
Petáková, Linda ; ŽIŽKA, Tomáš (advisor) ; HALAŠ, Adam (referee)
This bachelor's thesis deals with theater production that is based on previous field research. In this work I reflect and analyze the theatrical production of "Marie to dala. Jak to dá? ty?" which was my bachelor's production. I break down the individual phases of creation and the work method. Main emphasis is placed on working with sources during the creative process and on theatrical creation in non-theatrical spaces.
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The contemporary performer in mime theater
Křivánková, Jindřiška ; PETIŠKOVÁ, Ladislava (advisor) ; HALAŠ, Adam (referee)
This magister thesis is about the task of contemporary performer in mime theater. The thesis deals with a question of authorship and physical being of the performer on the stage. The thesis is based on analysis of graduation performence of Jindřiška Křivánková titled The hunters and on the basis of this analysis entitle principals of authorial theater and contemporary acting.
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Hospital clown
Vláčilová, Michaela ; PETIŠKOVÁ, Ladislava (advisor) ; HALAŠ, Adam (referee)
Brief characteristic:
The aim of the present thesis is to describe the Zdravotni klaun civic association, namely the work of the clowns themselves - zdravotni klaun, or "health clowns", i.e. artists visiting children and adult hospital patients. It amounts to a new creative discipline practiced by young artists, who, in their clown hospital visits, employ selected artistic approaches to benefit the health condition of the patients or people suffering from various ailments. This humane institution using artistic methods is already considered a part of the healing process in the hospitals, most notably where serious diseases are concerned. The artists use their original approach to heighten the patients' spirits and, primarily, to elicit laughter, which sets off supportive bodily functions augmenting the effects of treatment. This thesis offers an essential research into this new and developing discipline, drawing on direct experiences of the artists involved in the field in an effort to abstract summarising conclusions and to use their experience to shed more light on the character of this new discipline.
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Sound and Movement in Pantomime
Krček, Jan ; Platz, Josef (advisor) ; Halaš, Adam (referee)
Music and sounds could be supportive with some audiovisual works of art and can enhance their quality, or on the contrary the
sound composition can be corrupted if the artist chooses improper music. In my thesis I would like to sum up my experience as well as the
experience of other experimentators from the past and present in the field of sound creativity connected with performing visual arts like dance, drama, film. I mostly deal with the proper selection and processing of a sound component in nonverbal theatre including methods used in the history of theatre and mime. I particularly focus on mime actors, who creates sounds with their own voice, or with help of modern technical recording technologies.
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