National Repository of Grey Literature 7 records found  Search took 0.01 seconds. 
SPECIFICS OF CREATING SOUND DESIGN OF ANIMATED FILM
Karhánková, Kateřina ; KUBÍČEK, Jiří (advisor) ; GREINER, Ladislav (referee)
The thesis explores the production of sound for animated film – its specifics as well as aspects of realization and of preparation and audio dramaturgy. It examines how they impact storytelling and the extent to which it is possible and useful to work with them from the very beginning of development of an animated film. The thesis also presents the practical and creative possibilities of cooperation between director and sound designer, alongside factors that may have a positive or negative influence in this regard. It draws on literary sources, interviews with the makers of animated films and knowledge acquired by the author in the field of directing and screenwriting of animated films. The thesis confirms the importance of the role of sound in animated film and its positive influence on the resulting quality of AV work (unless it has been omitted from the start of the filmmaking process). It summarizes the basic approaches that allow animators to work with sound in animated film as a fully-fledged narrative component.
Mixing Dramaturgy of Audiovisual Work in Multichanell Formats
Sokol, Tomáš ; REJHOLEC, Pavel (advisor) ; GREINER, Ladislav (referee)
This master thesis explores multichannel formats from the perspective of technology, sound dramaturgy and aesthetics. The thesis engages in the historical development of film sound, technical benefits of individual technologies and final mixing. The last part shows interviews with czech sound designers.
Film adaptations of theatrical productions in czech film
Hovorková, Barbora ; GREINER, Ladislav (advisor) ; SKALL, Vladimír (referee)
In this theoretical thesis I want to explore the interaction of theater and film. I do not want to be preoccupied with "filmed theater", but only with film adaptations of theatrical productions. Dramatic works became really often template for films, but what leads the creators of the movie to film the specific theatrical productions? How will the filmmakers be affected by existing artwork, and which path to take when theater and film have so many different ways of expression? What has the movie theater to offer, and what the film is able to borrow, take, or transform? And in this case,are there any rules?
Horror and Sound Techniques Working with the Emotion of Fear
Levý, Adam ; KUDLÁČ, Jakub (advisor) ; GREINER, Ladislav (referee)
This thesis explores horror as a film genre, and the way the sound techniques are used to cause the emotion of fear. The first part analyses the problem of definition and classification of genre in general. The second part focuses on the genre of horror; it explores the possible sources of fear in general and its embodiments in horrors. The last part focuses on sound in horror films and describes different methods of how fear may be caused through the interaction of sound and image.
Problematics and technical possibilities of sound in shooting with DSLR cameras
Ujčík, Lukáš ; NEUBAUER, Petr (advisor) ; GREINER, Ladislav (referee)
This diploma work is focused on problematics of sound in cooperation with DSLR cameras. It analyzes technical specifications of sound in the cameras and evaluates their pros and cons. It desicribes technical possibilities and realization variations of sound in concrete phases of creative process, from planning to postproduction, considering type and character of audiovisual product. This all is in context with phenomenon of rapid depevelopment of digital technology and its effect on level of professionality and workflow in audiovisual production.
The Sound Design Of Theatre Performances
Greiner, Ladislav ; John, Zdeněk (advisor) ; Novák, Martin (referee)
This theoretical thesis discusses the sound design of dramatic theatre performances in comparison with the dramaturgy of sound in film. Compared to film, the theatrical form has the specific essence that it is a presentation that a direct, vivid and immediate. The work is split into several parts. It begins with the characteristics of theatrical sound design and its history. It goes on to compare the sound design of theatrical performances with film, exactly define the sound profession in theatre, describe the technical and technological possibilities of sound design and of course, the work of the sound designer. The text does not intend to be a guide to create a universally usable sound design. The author presents practical experiences to the readers, which he tries to generalize and justify the approaches which were realized.
Sound processing of the reality show "Survivor"
Greiner, Ladislav ; Štekr, Jiří (advisor) ; Moravec, Ondřej (referee)
In my Bachelor Thesis I try to describe not only sound processing of the reality show ?Survivor?, but also methods based on our practical experience, which we used for shooting system determination. In the text I also give notice of realization problems, which can arise during shooting.

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2 Greiner, Ladislav
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