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The chapter on dramatic poetry in the first and second edition of Josef Jungmann's Slovesnost
Fleyberková, Klára ; Hlobil, Tomáš (advisor) ; Kaplický, Martin (referee)
This thesis deals with the chapter about dramatic poetry in the first and second edition of Jungmann's "Slovesnost". Its aim is to outline the author's dramatic approach, cover the changes that occurred in the second edition in comparison to the first one, and show Jungmann's work with aesthetic notions, using examples. First of all, we described a formal set-out of the chapter and its place within the whole "Slovesnost", and then we concentrated on individual genres and their modifications in either edition. Finally, we focused on aesthetic motives which occur in the chapter. Our thesis proves that Jungmann's thinking dramatically changed and modernised within a quarter of a century. He stopped using primarily Czech expressions, which was the case in 1820, and yielded to ever more often used international words in a way, which led to his moderation in terms of Czech Revivalism. The case of the key term "estetický" ("aesthetic") was similar - the author mentioned it only in 1845 instead of the original "krasovědný" (a truly Czech word with the same meaning), and using it enabled him to rebuild the aesthetic system by creating the so-called "nonaesthetic feelings". Modernising the theory was also mirrored in the fact that the author no longer emphasised ethical moments. In the second edition, he concentrated...
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David Jařab and Dušan D. Pařízek´s work in Komedie Theatre
Fleyberková, Klára ; SCHLEGELOVÁ, Martina (advisor) ; AUGUSTOVÁ, Zuzana (referee)
The topic of this thesis is the work of David Jařab and Dušan D. Pařízek - two of the leading figures in Komedie Theatre from years 2002 to 2012. It tries to capture some of the principles of both author´s work and focuses on their work on Komedie´s scene only. After a brief introduction to the history of Komedie Theatre and Pražské komorní divadlo (Prague theatre ensemble), this thesis analyses the theatre´s further dramaturgy, both author´s topic selection and their working with text. In the next part it gets to the formal elements in the authors´s plays - successively it describes stage design, costumes, music or visual effects. Last part of this thesis is about some common specific points that we could find in Jařab and Pařízek´s production, about their approach to acting and combining space and text. And in the very end there is a general reflection of Komedie Theatre under the lead of Pražské komorní divadlo besides trying to find possible reasons why these two figures helped to create such acclaimed scene. The objective of this thesis is to describe the work of David Jařab and Dušan D. Pařízek in Prague´s Komedie Theatre and to detect principles of their production and mutual collaboration.
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