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Literature in moving image. A case study of selected films by Martin Ježek.
Hrončeková, Ivana ; Csefalvay,, Andreas (referee) ; Mazanec, Martin (referee) ; Cenek, Filip (advisor)
The dissertation deals with selected films of experimental filmmaker Martin Ježek, who interpret works of experimental literature of the 1960s, or literary works that preceded it. In this pattern, I follow the tightness of the relationship between literary text and film, which I describe in the analytic explanations of films. Text and film represents three types of application: in structure (script and score), performativity (performative reading of the text in while filming) and in sound of the film. This tightness, the way the text is interpreted, simultaneously defined the categorization of the selected sample. This chapter also represents the catalog of selected films. A special category is the analysis of the aspect of performativity, which is present on three levels: in the situation of film projection, during filming and during post-production of the film. Another level of the work is dedicated to a review of Martin Ježek´s filmography from the perspective of gallery practice and contemporary art. In this part, dissertation also analyses the conceptual strategies and contexts that accompany the filmmaking process. The focus of the research is organically based on the practical part of the dissertation, which takes the form of an author´s video, exhibition and screening program.
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Literature in moving image. A case study of selected films by Martin Ježek.
Hrončeková, Ivana ; Csefalvay,, Andreas (referee) ; Mazanec, Martin (referee) ; Cenek, Filip (advisor)
The dissertation deals with selected films of experimental filmmaker Martin Ježek, who interpret works of experimental literature of the 1960s, or literary works that preceded it. In this pattern, I follow the tightness of the relationship between literary text and film, which I describe in the analytic explanations of films. Text and film represents three types of application: in structure (script and score), performativity (performative reading of the text in while filming) and in sound of the film. This tightness, the way the text is interpreted, simultaneously defined the categorization of the selected sample. This chapter also represents the catalog of selected films. A special category is the analysis of the aspect of performativity, which is present on three levels: in the situation of film projection, during filming and during post-production of the film. Another level of the work is dedicated to a review of Martin Ježek´s filmography from the perspective of gallery practice and contemporary art. In this part, dissertation also analyses the conceptual strategies and contexts that accompany the filmmaking process. The focus of the research is organically based on the practical part of the dissertation, which takes the form of an author´s video, exhibition and screening program.
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