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Camera movement
Mach, Adam ; BRABEC, Jaroslav (advisor) ; MAREK, Diviš (referee)
This bachelor thesis deals with the camera movement. The first part provides
basic information about camera movement and its properties. It divides
camera movements in terms of function and technology. It defines the
differences between the static and the dynamic camera and deals with the
camera's motion and long shot relationship. The second part consists from
few examples of the use of camera movement in specific film segments.
These examples are accompanied by a description of the camera's motion,
timeline, and pictures representing a certain part of the shot for better
illustration.
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Imaging styles of American Cameramen in the 1960’s and 70‘s in the 20th century
Chajewski, Jan ; BRABEC, Jaroslav (advisor) ; SMUTNÝ, Vladimír (referee)
An analysis of the changes in style in cinematography during the „New Hollywood“ or „American New Wave“ of the 1960’s and 70‘s is the intent of this thesis. The main context for this analysis is the influence the French New Wave had on American Cinema. We try to look at specific aspects of American visual culture and the progress made in that culture as a result of American cinematographer’s reaction to new cinematic ideas. As a result of new thinking in cinema Hollywood cameramen began making “mistakes” acceptable and using them as visual tools, that their older colleagues where forbidden to use. Bonnie and Clyde was the first widely successful “New Hollywood” film, so in comparison to Jules and Jim, its French equivalent, we can look at the way visual language changed and how differently the same cinematic thought can be brought to life in two very different cinematic cultures.
The main contribution of this thesis is the analysis of the new visual tools that American cameramen brought to world cinema. These tools can be observed when watching almost any audiovisual product made after 1967, when Bonnie and Clyde had its premiere. For future cinematographers the knowledge of the historical context of these visual tools can be beneficial for more informed viewing.
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Alfred Hitchcock
Hojdová, Jana ; WEISER, Antonín (advisor) ; BRABEC, Jaroslav (referee)
The goal of the thesis is to give reader a detailed overview of four Alfred Hitchcock's movies - The Lodger (1927), Notorious (1946), Rope (1948), and Frenzy (1972).
The analysis of the above mentioned films is carried out by individual takes with focus on visual concept of the movies. Thus, the name of the theses is as follows: The Means of Image Expressing through the Eyes of Alfred Hitchcock. The majority of analyzed takes is completed with relevant screenshots.
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Filming underwater
Dvořáček, Šimon ; BRABEC, Jaroslav (advisor) ; HYNEK KRÄMER, Kristian (referee)
The topic of this thesis is "under water shooting ." Text deals with the theoretical and practical problems associated with underwater filming. Given the empirical type of the thesis, the text focuses on the personal experience gained during the filming of underwater scenes of Menandros & Thais movie, I worked as director of photography for. All the experience I gained during the preparation and the actual filming should be benefit to those who will in the future address this issue.
The first part of the thesis is a brief history and theory of diving. It describes development of diving equipment from the the beginning until today and explaines the theoretical minimum for underwater filming.
The second part is a description of underwater battle to the detail, where I worked as a director of photography on the preparation, implementation and finalization. This chapter is divided into five parts. The first part deals with the initial concept of underwater scenes. The second part describes the preparation for filming. The third and fourth parts deal with the implementation from rehearsals up to filming. The last, fifth part focuses on the reflection of the underwater scene. Here I outline what was brought to the reality from the concept.
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The light atmosphere in the film and the visual image
Hubač, Jan ; BRABEC, Jaroslav (advisor) ; KOBLOVSKÝ, Petr (referee)
In my diploma thesis I?m attempting to understand light in its various forms. The main goal of this thesis is to explore particular connections, but also differences within the framework of atmospheric lighting construction in film and art images. The first part of the text provides a summary of information about light itself, its perception, dispersion and its influence on the human psyche. It also addresses light and the construction of atmospheric lighting in several historical periods of fine art and cinematography.
The following chapters focus on light composition construction as viewed by camera-men. An analysis of a selection of films is used to present specific cinematographic methods, especially those dealing with light. The final part of this thesis explores the work of film artists who were inspired by paintings in which the determining feature was the original artist?s usage of light and atmospheric lighting.
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Realizační program pro elektrická a elektronická zařízení
Beneš, David ; Brabec, Jaroslav
Zpráva vyhodnocuje nově vzniklé povinnosti spojené se vstupem do EU vzhledem ke státu, výrobcům a zpracovatelům. Navrhuje varianty, způsoby a postupy při řešení plnění požadavků směrnice EU v souvislosti s POH ČR, dále pak popisuje nástroje, současný stav produkce, zpracování a technologie používané u nás v oblasti elektroodpadu. Součástí je SWOT analýza.
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