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Fairytale Drama of J. K. Tyl and J. Drda
Bernasová, Natálie ; Smrčka, Jiří (advisor) ; Mocná, Dagmar (referee)
The thesis focuses on analysis of fairytale drama genre in the work of Josef Kajetán Tyl and Jan Drda. Its goal is to describe common and different approaches of these authors, which are derived on the basis of selected key motives (motive of love, erotic motive, motive of labour and money, folklore motive), fairytale style, character types, the imprint of time, the role of music and some other components. The thesis builds on analysis and comparison of seven original texts - on Tyl's Strakonický dudák (1847), Tvrdohlavá žena (1849), Jiříkovo vidění (1849), Čert na zemi (1850), Lesní panna (1850) and on Drda's Hrátky s čertem (1945) and Dalskabáty (1959). Another aim of this thesis is to confirm or refute the hypothesis that Jan Drda conceived his two fairytale plays in the spirit of the Tyl tradition. Due to the nature of the thesis there are, in addition to professional literature, widely used sources such as theater programs, critics and reviews from the second half of the 20th century. KEYWORDS Josef Kajetán Tyl, Jan Drda, fairytale drama, tradition of Tyl's plays
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Comparation of Šrámek and Hrubín lyrics drama
Bernasová, Natálie ; Smrčka, Jiří (advisor) ; Brožová, Věra (referee)
The thesis focuses on comparison of the Šrámek's and Hrubín's lyrics drama. Its goal is to describe how much different this type of drama of compared authors is. Common and different approaches of these authors are deduced on the basis of selected characteristic features and key motives (motive of love, motives on the edge of fairy tales and myths, motive of death and the end, motive of writer), the role of nature, the role of music and some other components. The thesis builds on analysis and subsequent comparison of six original texts - on Šrámek's Červen (1905), Léto (1915), Měsíc nad řekou (1922), Plačící satyr (1923) and on Hrubín's Srpnová neděle (1958) and Křišťálová noc (1961). Another aim of this thesis is to confirm or refute the hypothesis that between the dramas Léto and Srpnová neděle exists the strongest mutual parallelism. The main source of information about lives of both authors are books written by František Buriánek and Iva Málková. Throughout the thesis are also used various other sources such as theater programs, contemporary critics and reviews. KEYWORDS František Hrubín, Fráňa Šrámek, lyrics drama, Srpnová neděle, Léto
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