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Romanian New Wave approaches to background action directing
Hecht, Jan ; MAREK, Petr (advisor) ; ŠPAČEK, Radim (referee)
This bachelor thesis focuses on the director's approach to the so-called "background action directing". Its theoretical frame and formal aspects, which can be used by the director when creating the background action, is discussed in the first part of this work. The focus in the work's analytical section is on the way these aspects are practically applied. This is shown on some films chosen from the Romanian New Wave, which is seen in this work as an original national-cinematographic phenomenon. The thesis finishes with the author's evaluation of his own experience with the given topic and summarises the outcomes of the analysis of the cinematographic works.
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ANALOGIES BETWEEN INDIAN AND EUROPEAN AUTHOR´S CINEMA OF THE PERIOD 1960 - 1980
Rampal Dzurenko, Viktória ; BERNARD, Jan (advisor) ; ŠPAČEK, Radim (referee)
Indian Parallel Cinema is the mixture of Contemporary, Experimental and Art Cinema of India and always consist of low budget. Indian Cinema had started with its first silent film "Raja Harishchandra" in 1912. Indian cinema is often defined as Bollywood or Masala Films of India, since it is also the popular form with its ritual of song, dances and over-the-top melodrama. However, the 60s and early 70s were time of experimentation in the format of storytelling and form in Indian Cinema. Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content, realism and naturalism, which reflected social and politics topics during those times. Indian parallel cinema represents a change of direction or a break with the traditional Indian cinema.
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Jan Hus - A Mass for Three Dead Men
Krutská Vrbová, Kateřina ; Špaček, Radim (advisor) ; Daňhel, Jan (referee)
Jan Hus - A Mass for Three Dead Men updates the legacy of the medieval reformist priest known also as John Hus. Yet writer and director Miroslav Bambušek is film takes place in the late twentieth century and relates to history in what has been more recently known as the Eastern Bloc. Jan Hus introduces us to and advocates three individuals- Ryszard Siwiec, Oskar Brusewitz, and Graham Bamford, all three of whom set themselves on fire to protest the political regimes in which they lived, and against which they had struggled. The film makes use of Hus own theses and orations, and is in four languages, with subtitles. 76 minutes.
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