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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
The effect of headphone and loudspeaker reproduction on classical music mix balance
 Hadraba, Jakub ; ZIKMUND, Tomáš (advisor) ; SYROVÝ, Václav (referee)
Primary focus of the dissertation is comparison of loudspeaker and headphone reproduction and its influence on the mix balance of classical music recordings. A listening test, which represents an essential part of the thesis, was performed on a test group of sound engineers who prepared mixes of selected recordings using both loudspea-kers and headphones. An analysis of the resulting mixes was performed to find out if any systematic changes could be detected between headphone and loudspeaker mixes. The results disclosed a systematic change in preference of reverberation. Individual approaches of the sound engineers are documented by an extensive graphical section of the thesis. Level of stability of the individual models has been examined using repeated testing on selected participants. Selected headphone and loudspeaker mixes have been further evaluated by a listening group in a second listening test. Differences between the mixes were judged using both loudspeakers and headphones. Answers of the participants were analysed to see if there was an increased preference of headphone mixes when judged using headphones and vice versa. The results didn't show significant preference changes based on type of reproduction. The selected mixes weren't found to be "more optimal" when listened to on their respective reproduction device, nor could they be identified based on the subjective preference test. A special part is devoted to evaluation of an internet-based survey featuring a statistical documentation of loudspeaker and headphone usage in todays music recording industry. Special look has been taken at the group of respondents who indicated classical music as primary music genre of their profession. Another theoretical part of the thesis covers the artistic and technical approach of sound engineers to classical music sound image creation, including commonly used technical resources and stylization methods.
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Creative contribution of sound engineering towards music recording
 Balcar, Jan ; URBAN, Ondřej (advisor) ; ZOBAČ, Jiří (referee)
Diploma thesis describes engineering of a music recording and is focused on creative potencial of the discipline. Text covers possible attitudes towards sound design of a musical work and refer that the result is invariably influenced by individual conception and creative vision of the sound engineer. Thesis deals also with music perception in its different forms, recent transformations of music industry, sound aesthetics, dramaturgy, sound image and its qualities. These topics are applied to practical aspect of sound engineering. Thesis is based on author's personal experiences and availabe bibliographical resources.
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