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The Contemporary System of Fashion
Srbová, Kateřina ; Rozbořil, Blahoslav (referee) ; Kubíková, Zuzana (advisor)
The fashion industry is conditioned by building a uniform singularity of an individual through relating to what a look symbolises conceptually and objectively. [Fashion] designers operate with a societal perception of equality, social justice or feminism as if they were products. The challenge for them is not the acceptance and creation of real values, but rather to sell what these values could represent if accepted within the society. Identification with the concept of self-acceptance while watching a catwalk narrative therefore means watching a material representation of a loud affection. This affection is then being accepted by purchasing products that could represent them. The controversy is manifested by the fact how values, which have not yet been embraced by the majority of society, are being represented materially and personally. Designers dress these objects of representation into specific entities and the catwalk represents a speculative model of the future. By a gradual flow of these looks into the mainstream, society does not accept the values but merely wears them. Therefore in the present, every value is seasonal. This bachelor thesis is trying to shed some light on the contemporary system of fashion.
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The Contemporary System of Fashion
Srbová, Kateřina ; Rozbořil, Blahoslav (referee) ; Kubíková, Zuzana (advisor)
The fashion industry is conditioned by building a uniform singularity of an individual through relating to what a look symbolises conceptually and objectively. [Fashion] designers operate with a societal perception of equality, social justice or feminism as if they were products. The challenge for them is not the acceptance and creation of real values, but rather to sell what these values could represent if accepted within the society. Identification with the concept of self-acceptance while watching a catwalk narrative therefore means watching a material representation of a loud affection. This affection is then being accepted by purchasing products that could represent them. The controversy is manifested by the fact how values, which have not yet been embraced by the majority of society, are being represented materially and personally. Designers dress these objects of representation into specific entities and the catwalk represents a speculative model of the future. By a gradual flow of these looks into the mainstream, society does not accept the values but merely wears them. Therefore in the present, every value is seasonal. This bachelor thesis is trying to shed some light on the contemporary system of fashion.
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Experience Economy. Danish Approach to the Cultural and Creative Industries
Vandělík, Jakub ; Kubaš, Mario (advisor) ; Kouba, Vojtěch (referee)
The diploma thesis entitled "Experience Economy. Danish Approach to the Cultural and Creative Industries" is primary concerned with mega-trend of experience economy in Denmark. Main purpose of this work is to analyze and intruduce specific Danish approach to the Cultural and Creative Industries. Author used diachronic and synchronic analysis. First chapter characterizes historical economic development of Denmark's state. Following chapter is focused on historical background of experience economy and on Danish approach to this concept. Third chapter discusses influence of Danish socioeconomic environment on Danish approach to experience economy. In the next chapter author analyzes Danish government's role in the development of this concept. Last chapter shows economic impacts of experience economy concept in Denmark.
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