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Public Subsidies to Emerging Theatre Venues in Prague
Vondráčková, Anna ; Riedlbauch, Václav (advisor) ; Janeček, Václav (referee)
In the first part of the thesis, the present state of the Prague theatre network is introduced and the preconditions and possibilities of its further development are discussed. The introduction is followed by the analysis of the funding of the Prague theatres and cultural policy focusing on the system of subsidies and grants, transformation of the theatre network and other means of support. In the second part of the thesis, a thorough analysis of the six theatre venues that have emerged in the last six years, namely Studio Hrdinů, Company.cz in Divadlo Komedie, Venuše ve Švehlovce, Vila Štvanice, Jatka 78 and Panoptikon Barikáda, is provided. The analysis focuses on various factors influencing the venues: their location, relationship with the lawful owner of the property, legal form, their relationship with the audience, and last but not least the way they are funded. In the conclusion, the comparison of the situation of the six venues is provided.
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Financing of transformed and private theatres from public budgets
Vančura, Petr ; Riedlbauch, Václav (advisor) ; Vávrová, Hana (referee)
The theoretical part focuses on financing options from theatres from public sources. It deals with resources from the budget of Municipality of the City of Prague, as well as the Ministry of Culture of the Czech Republic. This list is then transferred to the practical part, which deals with the use of these options in Prague's Archa Theatre, which has long maintained the highest rating among theatres in Prague and top position among alternative theatres in the country. The work does not aim to assess the effectiveness of the current grant system or criticize the system of financing culture in the country. The aim is to create a list of potential funding sources for a theatre from public budgets and assess the effectiveness of the acquisition of these resources to the Archa Theatre. The work also deals with the management of Archa compared with the Municipal Theatre Jablonec nad Nisou.
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Management and stagione funding on example of the Municipal Theatre Jablonec nad Nisou
Koublová, Simona ; Riedlbauch, Václav (advisor) ; Homindová Römerová, Eva (referee)
The subject of this thesis is to present the characteristics of stagione type of theatre as part of a comprehensive typology of theatres in the Czech Republic presented on example of the Municipal Theatre Jablonec nad Nisou. The theoretical part of the work that is created based on the evaluation of secondary data, describes the legal base of theatres, their funding opportunities, both from public and private sources, further managerial style and the specifics of cultural marketing. The theoretical part is followed by the practical part, which deals primarily with the analysis of the Municipal Theatre Jablonec nad Nisou, along with a glimpse at the activities of the F. X. Šalda Theatre in Liberec and comparison of both theaters. The analytical part is based on in-depth interviews and questioning of the author, and is complemented by research on the perception of the theatre by its visitors. The aim is to determine whether the stagione type of theatre is a perspective for the Czech theatre culture in the future, whether it plays supporting role or merely is only a transitional form.
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Possibilities of theatre funding with the example of Archa Theatre
Vančura, Petr ; Hanzlík, Jan (advisor) ; Riedlbauch, Václav (referee)
The theoretical section is devoted to financing of theaters in Prague from public resources, including analysis of requirements needed to raise funds from the aforementioned possibilities. This is not only a summary of available grants and subsidies from the budget of Prague, but also the possibilities of raising funds from the budget of the Ministry of Culture of the Czech Republic and marginally touches the possibilities of raising funds European Union structural funds. Following this overview is the practical section which covers the use of these possibilities in Prague's Archa Theatre, which is among highest-rated theaters in Prague and among the best alternative theaters in the country. Work does not seek or assess the effectiveness of the current grant system or criticize the system of financing culture in the country. The goal is to set up a list of potential funding sources of theaters from public budgets and assess the effectiveness of obtaining resources to Archa Theatre.
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Ways of Funding Theatres Demonstrated With the Case of Selected Prague Organizations
Maternová, Tereza ; Riedlbauch, Václav (advisor) ; Hanzlík, Jan (referee)
The aim of this thesis is to present possible ways of operating theatres and outline ways of financing them. The thesis offers a brief overview of possible sources of theatres' income classified by the body of funders and further concentrates on public resources funding. It provides a list of grant opportunities for Prague theatres, concerns cultural policy, the multiplier effect of subsidies to theatres and the process of transforming the Prague theatre network in 2001. In the second part, the theoretical knowledge of ways of funding theatres is practically tested with the case of two Prague theatres - Dejvicke divadlo and Divadlo Na zabradli and their financial managemet in 2008 and 2009.
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Managing the economic processes of the multiensembled theatre
Koublová, Simona ; Riedlbauch, Václav (advisor) ; Wurm von Sterndorff, Henriette (referee)
This thesis deals with problems of managing the economic processes of the multiensembled theatre. The introductory part consists of basic theoretical knowledge of the problem areas. Model which is described is the most common type of organizational structure of the multiensembled theatre used in the Czech Republic and describes the type of difficulties (weaknesses), and also the benefits (strengths) of operating the theatre. The introductory theoretical part is followed by a practical component, based on the fundamental characteristics of the theatre in Liberec (the DFXŠ), as the chosen subject for the practical application of theoretical knowledge. Based on internal analysis of collected information and the application of research tools, based on DFXŠ sources and consultations with Mr. MgA Martin Otava, or other professionals from DFXŠ and upon the SWOT analysis, the concluding part is formulated with author's own suggestions and solutions for possible improvement of the financial situation of the theatre DFXŠ.
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