National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
The Life and Work of Vlasta Fialová, actress of Brno
Břeň, Martin ; Čechura, Jaroslav (advisor) ; Beneš, Zdeněk (referee)
The Life and Work of Vlasta Fialová, actress of Brno This master's thesis is to bring closer the life and work of one of the most prominent Czech artists of the 20th century. The actress, who wrote herself into the history of film, television productions and radio, but especially the theater that was everything for her. The work is trying to capture her life and career, she has been able to build for a long, active fifty-year period, only in three Moravian cities: Opava, Olomouc and Brno. The work maintains a line beginning in the period before her birth, focuses on the cultural and historical events of the Brno metropolis, the beginning of her life, the years of childhood and adolescence, which she experienced as a student of a grammar school and a musical drama department of the Brno Conservatory during the Nazi occupation of her hometown. And then emphasis is placed on her individual theatrical engagements, as well as on the films and TV productions in which she performed, and the programs recorded for the radio. It also presents a certain reflection and characteristic of the characters and the acting art of this unique actress, whether it is a stage character or a silver screen. From those she created as a fresh and very talented graduate of the Conservatoire, through very handsome women with...
Television drama in Czechoslovak specialized discourse of the 1950s and 1960s
Jiřiště, Jakub ; Svatoňová, Kateřina (advisor) ; Klimeš, Ivan (referee)
Thesis deals with basic tendencies and preconditions of the aesthetic development of Czechoslovak television drama of the 50s and 60s through its specialist reflection. The method of a discourse analysis which is applied to the area of aesthetics and inspired by the concepts of Michel Foucault and Achim Landwehr maps locally- and time-based field of the discourse about television drama and penetrates surface relations between subdiscourses (television criticism, television theory and influences of institutions) with the aim to capture the formative order of the discourse. A basic axis of the analysis is the evolution of the concept of television specifity which will be tracked through the crucial discussions of the period. They reflects a gradual revision of initial assumptions about the formal emancipation and the legitimacy of art of television. The next step of the analysis is the mutual comparison of solutions at which these discussions arrived via various aspects and methods. This way a second goal of the discourse analysis will be fulfilled - to trace the essential unity of the discourse which is represented by the complex of jointly asserted requirements about the ideal form of the television drama. The complex is possible to consider as an implicit poetics of Czechoslovak television drama...

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