|
|
Image, photography as a concept in elementary school education
Macháčková, Zuzana ; Šamšula, Pavel (advisor) ; Novotná, Magdalena (referee)
Annotation: Macháčková, Z.: Image, photography as a concept in elementary school education [Diploma thesis] Brno 2012 - Charles University in Prague, Faculty of education, Department of Art, 114 p. Objectives: Based on both recommended and other literature, discuss the evolution of photography (analogue and digital photography, photographic types and genres) and hint at the specifics of photographic production in comparison with classical art media. Discuss the expressive possibilities of manipulated photography (PC photography editing, collage, photomontage, etc.), with attention to applicability of photography in elementary school education. Consider organic inter-discplinary relations between the art class and other classes. Design a didactic project for an art class, based on the Framework Education Programme for Basic Education. The project should employ digital photography as a specific and accessible art medium and should be practically validated. It should focus on experiments and etudes, in which students would use photography as an accessible tool to experience and create art. Results: The proposed project, based on digital photography as a device for art activities, has shown that photography can be practically and successfully applied in elementary school classwork. Keywords: Elementary...
|
|
|
The light atmosphere in the film and the visual image
Hubač, Jan ; BRABEC, Jaroslav (advisor) ; KOBLOVSKÝ, Petr (referee)
In my diploma thesis I?m attempting to understand light in its various forms. The main goal of this thesis is to explore particular connections, but also differences within the framework of atmospheric lighting construction in film and art images. The first part of the text provides a summary of information about light itself, its perception, dispersion and its influence on the human psyche. It also addresses light and the construction of atmospheric lighting in several historical periods of fine art and cinematography.
The following chapters focus on light composition construction as viewed by camera-men. An analysis of a selection of films is used to present specific cinematographic methods, especially those dealing with light. The final part of this thesis explores the work of film artists who were inspired by paintings in which the determining feature was the original artist?s usage of light and atmospheric lighting.
|
guest ::
