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National Repository of Grey Literature

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General symbolism and theory of symbols in medieval music Kejklíčková, Eliška ; Dvořáková, Jiřina (advisor) ; Saláková, Magdalena (referee) Detailed record

Objective and Subjective Cognition of Beauty in the Writings of St. Thomas Aquinas. FLEISCHMANN, Dan This thesis deals with the objective and subjective cognition of beauty by a scholastic philosopher Thomas Aquinas. The initial chapters provide historical sources and a source of St. Thomas´s beauty, because beauty was not the main topic of theology and philosophy in the Middle Ages. From the definition of beauty, we know that beauty belongs to the cognitive power, thus next chapters present the activity of the senses and reason, by which we recognize beauty. (Pulchrum autem respicit vim cognoscitivam). This cognitive power results in the objective characteristics of beauty, ie.: a) integrity; b) proportion; c) clarity.) The penultimate chapter justifies the importance of knowledge of objective and subjective beauty, from which it follows in us enjoyment (delectatio et amor). If there is a reason to evaluate the knowledge and principles relating to the beauty, there is a necessary overlap present knowledge such as science. The final chapter addresses the interesting question of modern science - aesthetics: "Whether beauty, as written by Thomas Aquinas, is a specific distinct transcendental or only implicit transcendental initiated by the philosophers of the 20th century?" The thesis tries to show the importance of studying medieval philosophy in shaping topics such as beauty and art. Detailed record

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