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Piano accompaniment. The specific art of piano playing
Papežová Erlebachová, Marie ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee) ; Bogunia, Stanislav (referee)
This thesis focuses on the topic of piano accompaniment, which is an essential and beautiful part of piano playing. This field demands from the pianist a specific approach, which is a subject and core of many study programmes throughout the world. The aim of the first part of this thesis is to map the evolution as well as the current state of knowledge in the field of piano accompaniment using scientific literature on the subject as well as curricula of study programmes obtained from universities in central Europe, where piano accompaniment is taught as a major study course. A strong correlation has been established based on this research between theory in scientific literature on the subject and the current practice of piano accompaniment education in central Europe. The aim of the second part of this thesis is to expand further the level of knowledge in scientific literature, which is insufficient mainly in the accompaniment of solo musical instruments. For this reason, the second part of the thesis focuses on the specific problems in piano accompaniment of musical instrument groups, i.e. string instruments, woodwind instruments and brass instruments. For these three groups case studies have been created, which examine the specific characteristics of the musical instruments in relation to piano...
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Musculoskeletal impairtments in musicians playing on string instruments
Kutinová, Eliška ; Kobesová, Alena (advisor) ; Mišinová, Klára (referee)
This bachelor thesis deals with musculoskelatal disorders in instrumental musicians directly related to playing. In the theoretical part, the basic biomechanical movements are described and the body settings during the play of the individual instruments. The thesis compares studies dealing with the issue of disability of the musculoskeletal system, the most frequent areas of disability, their frequency and cause, with a description of the musicians is discussed. The practical part contains a questionnaire which maps the workload of the 28 musicians; the most frequent occurrence of difficulties related to the playing of the individual instruments; occurrence in the time frame and their intensity.
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Jiří Pauer and chamber works with predominance of stringed instruments
Mazancová, Pavla ; ČEPICKÝ, Leoš (advisor) ; PANOCHA, Jiří (referee)
This thesis titled Jiří Pauer and chamber works with predominance of stringed instruments is divided into three chapters. The first chapter deals with the composer's person, his studies, professions and musical style. The second part consists of listing all of Jiří Pauer’s available chamber works for string instruments. Most of the compositions include the date of creation and first performance, the year of publication and the publisher, an accessible recording, a brief analysis and the origin of the work. The third part includes the memories of his students. In the conclusion I summarize my findings.
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Miloslav Kabeláč - Complete Works for Piano and Chamber Music for Strings and Piano
Bartoš, Jan ; MORAVEC, Ivan (advisor) ; KLÁNSKÝ, Ivan (referee)
The purpose of this dissertation is to analyse Miloslav Kabeláč's piano works. It collects informations and answers questions relating to this narrow focus. The dissertation also tries to find interpretative clues to his two most important piano cycles - Seven pieces op. 14 and Eight preludes op. 30. The dissertation points out the fact that if we want to present and understand his works correctly, it is necessary to study Kabeláč within a broader context.
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