|
|
Standuino
Merta, Ondřej ; Boleslavsky, Andrej (referee) ; Šedivá, Barbora (advisor)
Standuino is the inovative force in hand-made electronic music and open source hardware as well as theoretically and historically driven movement that results in artworks, bands, workshops, happenings and writings. Standuino started as a clone board of popular Arduino but adapted to even more DIY approach of eastern region (=bastl). With this powerful tool it became part of many art installations and enabled our research team to build prototypes of many different devices most importantly musical instruments. The whole concept of Standuino is inspired and covered by the story of a pioneer of media art – Standa Filip.
|
|
|
Printed Independent Magazines in Post-Digital Age
Teplý, Ondřej ; Hroch, Miloš (advisor) ; Cebe, Jan (referee)
The diploma thesis Printed Independent Magazines in Post-Digital Age tries to discover the motivation of editors-in-chief/art directors for creating a printed, independent magazine in Central Europe and at the same time how these magazines are influenced by post-digital trends. It uses a qualitative method of Grounded Theory based on data from semi-structured interviews. In the practical part of the research, nine authors from Austria, Germany, Poland, the Czech Republic, Slovakia, and Hungary were approached. From the total number of respondents, data was obtained from seven of them. In the theoretical part, the work is focused on the history of independent print, in terms of technological changes in the printing field and it defines the term "printed independent magazine". The main contribution of the work is a mapping of the Central European independent magazine scene, which has not been thoroughly examined in any academic work yet. The text puts this scene in the international context, and it points out the certain specifics which are associated with Central Europe.
|
|
|
Samizdat in the post-digital era
Hroch, Miloš ; Turek, Pavel (advisor) ; Kuřík, Bohuslav (referee) ; Charvát, Jan (referee)
This dissertation examines the role of material in six selected zines from subcultural, artistic and activist circles. The work deals with printed micro media with a small reach and is based on the concepts of alternative media, gives a brief overview of theoretical perspectives on zines from subcultural studies, through fan studies and participatory culture. The thesis is critical of the concepts and calls for the enrichment of existing perspectives, mostly consolidated in old (post- marxist) materialism: specifically, for a reflection on post-digital culture and new materialism, which allows us to reconsider the role of material in the production and distribution of zines. The case study combines personal interviews and content analysis with an emphasis on material and ethnography of the spaces where zines are formed and transmitted. Based on Bourdieu's field theory, the study conceptualises the zine scene as a field of zine production and seeks to radically contextualise the traffic between bodies, spaces, paper and other materials, machines, and finally capital (economic and subcultural). The theoretical apparatus allows to examine the changing role of zines in the post-digital age when information shifts from sowers to platforms of emotion and touch. The main argument of the thesis is that...
|
|
|
Printed Independent Magazines in Post-Digital Age
Teplý, Ondřej ; Hroch, Miloš (advisor) ; Cebe, Jan (referee)
The diploma thesis Printed Independent Magazines in Post-Digital Age tries to discover the motivation of editors-in-chief/art directors for creating a printed, independent magazine in Central Europe and at the same time how these magazines are influenced by post-digital trends. It uses a qualitative method of Grounded Theory based on data from semi-structured interviews. In the practical part of the research, nine authors from Austria, Germany, Poland, the Czech Republic, Slovakia, and Hungary were approached. From the total number of respondents, data was obtained from seven of them. In the theoretical part, the work is focused on the history of independent print, in terms of technological changes in the printing field and it defines the term "printed independent magazine". The main contribution of the work is a mapping of the Central European independent magazine scene, which has not been thoroughly examined in any academic work yet. The text puts this scene in the international context, and it points out the certain specifics which are associated with Central Europe.
|
|
|
Standuino
Merta, Ondřej ; Boleslavsky, Andrej (referee) ; Šedivá, Barbora (advisor)
Standuino is the inovative force in hand-made electronic music and open source hardware as well as theoretically and historically driven movement that results in artworks, bands, workshops, happenings and writings. Standuino started as a clone board of popular Arduino but adapted to even more DIY approach of eastern region (=bastl). With this powerful tool it became part of many art installations and enabled our research team to build prototypes of many different devices most importantly musical instruments. The whole concept of Standuino is inspired and covered by the story of a pioneer of media art – Standa Filip.
|
guest ::
