National Repository of Grey Literature 13 records found  previous11 - 13  jump to record: Search took 0.00 seconds. 
In the Forrest
Pucharová Kramářová, Vendula ; Dub, Petr (referee) ; Lahoda, Tomáš (advisor)
My work began with taking photos in the forest at night; this work was very important to me because of the mysterious feeling. My paintings are stylized more than realistic. I'm captivated by untidy nature, with fallen trees and decaying stumps. Oil is my medium- some places are detailed while others are expressive.
Methodology of Non-Destructive Research into Historical Fabrics of Ethnographic Nature from the Period between 1850 and 1950, Their Documentation and Identification MEP (Methodology of Ethnographic Research).
Mertová, Petra ; Samohýlová, Alena ; Holcner, Ludvík
The major goal of the methodology is to deliver an instrument for documentation and identification of fabrics in ethnographic collections of museum institutions. The methodology uses a set of describable and measureable properties of fabrics acquired through research into and documentation of museum collections. With regard to the group of presupposed users and the nature of researched objects – historical textile with cultural value, the methodology is suggested as a non-destructive one. The research methodology includes several steps aimed, as follows: first of all at a professional documentation of fabrics using non-destructive methods focused on the discovery of describing and measurable properties of an object and the technological analysis of historical fabrics of ethnographic nature; secondly, at the identification of ethnographic fabrics at collection institutions through the comparison with a set of the already summarized data about historical fabrics, including their photographs with examples of fabrics selected at museum repositories. The acquired material is stored at the web application atlastextilu.cz.
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Touches
TŘEŠKOVÁ, Marie
The practical part of diploma work consist of five figurative paintings, medium and bigger sized, made with acrylic colors on the canvas. The whole painting set is called `` Touches{\crqq}. The reflection principle goes trough the entire work and is also the name of subtitle. The reflection is important in a symbolic sense while choosing particular motives and colorful paintings. The work is inspired by the book Golden age written by Czech contemporaneous author Michal Ajvaz. In written section of diploma work the reader gets better idea about the work and each motif as well. There is a description of artistic aims, symbolic, colorness, painting techniques and used material.

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