National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Songs of Ludvík Vítězslav Čelanský
Lukajová, Dagmar ; Ottlová, Marta (advisor) ; Matějčková, Helena (referee)
Bachelor's thesis deals with the songs of Ludvík Vítězslav Čelanský (1870 - 1930). The purpose of this thesis is to put the above songs into its context of the times based on the characteristics of the selected songs. The thesis deals with the evolution of the song in 19th century and the first third of the 20th century and consequently about the songs of Čelanský including details of each song and basis of sources. After that continues the analytic part with the textual and musical analysis of selected songs. In the concluding part are denominated all the means which Čelanský uses in the composition of his songs including the mode of interpretation of the poetic text.
Songs of Ludvík Vítězslav Čelanský
Lukajová, Dagmar ; Ottlová, Marta (advisor) ; Matějčková, Helena (referee)
Bachelor's thesis deals with the songs of Ludvík Vítězslav Čelanský (1870 - 1930). The purpose of this thesis is to put the above songs into its context of the times based on the characteristics of the selected songs. The thesis deals with the evolution of the song in 19th century and the first third of the 20th century and consequently about the songs of Čelanský including details of each song and basis of sources. After that continues the analytic part with the textual and musical analysis of selected songs. In the concluding part are denominated all the means which Čelanský uses in the composition of his songs including the mode of interpretation of the poetic text.
Works of Songs by J. B. Foerster: The Six Songs Based on Puskin's Poems Op. 161
Tománková, Jana ; Ottlová, Marta (advisor) ; Gabrielová, Jarmila (referee)
The song genre constitutes a significant part of J. B. Foertser's work (around 350 songs). In the Czech musical context, Foerster is along with Vítězslav Novák considered a founder of modern Czech song. Despite its unquestionable significance, Foerster's song output remains an unexplored area in musicology. The aim of this diploma thesis is to contribute to the body of scholarship devoted to Foerster by focusing on this area of his work, which has not received adequate critical attention. The main part of the thesis consists of detailed musical-textual analyses of the song cycle Šest písní na básně Puškinovy op. 161 (1937). Through the analyses, the thesis examines the composer's approach to the setting texts to music and points out the qualities of his work. The discussion gives an overview of Foerster's song output and outlines the main critical concerns in this area of his work. The last but one chapter of the thesis compares opus 161 with selected Foerster's song cycles from his previous work periods and an attempt is made to put the opus into the context of the composer's song output as a whole. In the conclusion, opus 161 is discussed in the context of the Czech and, more generally, European song productions.

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