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From cabarets to concert scene (between 19 and 20 centuries)
Kotalová, Anna ; Kalfiřtová, Eva (advisor) ; Müllerová, Eva (referee)
The aim of this thesis was to describe the history of five cabarets located in Pairs district called Montmartre - Chat Noir, Lapin Agile, Moulin Rouge, Folies-Bergére, Bobino and Olympia. The first plan was to line up cabarets chronologically and be mostly focused on their development changes - Folies-Bergere (1869) - Bobino (1973) - Chat Noir (1881( - Moulin Rouge (1889) - Olympia (1893) - Lapin Agile (1903). On the other hand, during the research, we found out that it would be better to line up cabarets due to different criterions - if they are still running, if they keep their typical cabaret atmosphere or changed to the music-hall, and if they have enriched French culture. Family atmosphere was typical for the first French cabarets. They were places where people could meet each other, drink and eat. During the time cabaret became popular place for the rich public and tourists. The big inspiration for cabarets were modern music-halls from England, however, visitors were still able to drink, eat or just meet their friends there. Typical for the program was chanson which is one of the main functions of cabarets during these days as well. In the district Montmartre, there used to be 5 cabarets - whose we examined in this thesis. On the contrary, nowadays everything is different. Cabaret Chat Noir...
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French chanson
Stehlíková, Aneta ; Kalfiřtová, Eva (advisor) ; Machleidtová, Silva (referee)
This bachelor thesis is dealing with the subject of the French chanson in a way it can be called the music and literary genre at the same time. Its objective is to explain the relation of the French chanson to the particular Czech genre called "šanson". The thesis tries to place the French chanson understood in this way into the framework of the song genre in general. There is also a part presenting the characteristic features, history, historical important halls and styles of the chosen interpreters of the chanson on the French territory. One part unfolds the esthetic tools of the French song. The thesis finally treats the influence that this specific song genre had on the music creation abroad. The thesis at this point also explains the connection between the Czech and the French chanson, which is demonstrated on the chanson development on the Czech territory and on the selection of Czech interpreters, composers and text writers.
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