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Theatre-Poetry?
Razím, Daniel ; PROVAZNÍK, Jaroslav (advisor) ; BERGMAN, Aleš (referee)
ABSTRACT
Diploma Thesis Theatre-Poetry? examines a specific type of Czech alternative theatre, based on the creative author's work with literary texts. It deals with its characteristic, defining the genre and problems associated with a non depictive title, which defines this area of theatrical production. Collectively it describes its scenic resources and stage techniques. It traces its past associated with history of so called artistic recitation and the avant-garde art movement of the interwar years, from the beginning until the recent past and present (which has not been systematically described and evaluated). It recalls sources of inspiration and period context of the development of this kind of theatre, gives an overview of productions and related theatre companies, and important creative figures. It presents many scholarly quotations and authentic materials, especially period reviews and eyewitness´s memories. It contemplates the meaning, the artistic benefits and risks related to this method of theatre work and its future prospects - especially in relation to creative work with literary texts and their artistic presentation to the public and in connection with pedagogical activities and interests of Drama in Education.
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The relation between text and actor´s gesture,
Vaverka, Josef ; SALZMANNOVÁ, Eva (advisor) ; KUDLÁČKOVÁ, Jana (referee)
During my studies at the Academy of Performing Arts, I studied ancient Greek drama, commedia dell'arte, Shakespearean drama, comedy farce, absurd drama and contemporary English plays. In my master´s thesis I concentrate on the relationship between the text and actor's gestures. I gathered all the historical facts from these books: O. G. Brockett, History of Theatre and Jaromir Kazda Chapters from theater history, unless otherwise stated.
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The place of dramaturgy in devised theatre
Pola, Petr ; KLÍMA, Miloslav (advisor) ; ADÁMEK, Jiří (referee)
This thesis deals with dramaturgy of devised theatre. In the first part we provide an analysis of selected performances of Anicka a letadylko theatre with intention to describe specific ways of participation of dramaturgy as creative, conceptual and reflective activity on the performance formation process and the direction of the theater as a whole. The second part deals with dramaturgy of devised theatre in the sense of a method of use and organization of theatrical signs. The aim of this part is a definition of theoretical grounds of devised theatre in a such a way to open space a wide range of creative dramaturgies of devised theater.
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