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Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
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Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
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Certified methodology for textile deposition
KUŽELOVÁ, Zdenka ; ŠEVČÍK, Richard ; PŘÍHODA, Jiří ; NASADIL, Petr
The methodology was created for the neeeds of museum workers handling and depositing textile artefacts. The methodology is focused on depositories where textile artefacts are stored. The content is focused on traditional folk clothing from Moravia originating from the period of 1850-1950 and the methodology is specific in this way. It is necessary to emphasize that the folk textile (clothing) was stored in its own way which has to be kept and which some attention should be paid to.
Fulltext:  PDF
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Certified Methodology for Documentation of Men´s Garments as Parts of Trousers, Coat and Shirt Dress
Šimša, Martin
The goal of the methodology is to create a system of documentation that enables an adequate, accurate and mainly unified description of garments, based on which it will be possible to compare the garments and to distinguish their possible variants. The methodology is based on the identification of unique properties of particular groups of folk clothing which were found out through an analysis of cut constructions of garments in collections of Czech and Moravian museums. For each group, a set of identification elements is suggested which features a list of constructional variants thanks to which each garment can be described and assigned to a corresponding type of garments. The methodology of research, documentation and identification of men´s folk garments is intended especially for curators of museum collections, researchers and all those interested in folk dress.
Fulltext: PDF; PDF
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