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Experimental Hardware Musical Instrument Based on FM Synthesis Controlled by a Contactless Controller
Vejvoda, Zdeněk ; Jirásek, Ondřej (referee) ; Dlouhý, Dan (advisor)
The focus of this bachelor thesis was a design and consequently an assembly of an experimental analog synthesizer. The beginning of the theoretical framework presents the classification of the electroacoustic instruments into subgroups with an emphasis on those which were essential for both the inspiration of the design and for the historical development itself. The subsequent chapter explores the sound synthesis methods and their musical attributes. Afterwards, particular fundamental personae of the history of experimenting with sound and music are mentioned, whose ideas were extracted for the purpose of designing this instrument. The practical part explains the motivation which was present during the work and develops it into a full circuit design. The creative process is supported by explanation of attached diagrams and required calculations. In connclusion, the assembled prototype is presented on a printed circuit board.
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Unconventional Means of expression and techniques. Mathematical principles in comparing unconventional visual and musical art
Effenbergerová, Klára ; Bláha, Jaroslav (advisor) ; Šmíd, Jan (referee)
Univerzita Karlova v Praze / Pedagogická fakulta / Katedra výtvarné výchovy // Charles University in Prague / Faculty of Education / The Department of Fine Art Education Netradiční výrazové prostředky a techniky Matematické principy v komparaci netradičního výtvarného a hudebního díla UnconventionalMeansofexpressionandtechniques Mathematical principles in comparing unconventional visual and musical art Klára Effenbergerová Výtvarná výchova - pedagogika Prezenční studium, 5. ročník Datum dokončení: květen 2011 Vedoucí práce: Doc. PhDr. Jaroslav Bláha, Ph.D. Abstract The thesis deals with a comparative analysis of a project called Poéme électronique in the Philips Pavilion (1958), while an emphasis is put on its mathematical background and broader interdisciplinal contexts. Particular attention is devoted to grand oldman Iannis Xenakis. The thesis tries to interpret the phenomenon of Electronic poetry, which we understand as an effort to design a multimedia "Gesamtkunstwerk". This brings the necessitate of the multi-specialized synthetic approach in searching of a relationship between the kinds of arts, and the analysis of interactions of individual project components.
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Experimental Hardware Musical Instrument Based on FM Synthesis Controlled by a Contactless Controller
Vejvoda, Zdeněk ; Jirásek, Ondřej (referee) ; Dlouhý, Dan (advisor)
The focus of this bachelor thesis was a design and consequently an assembly of an experimental analog synthesizer. The beginning of the theoretical framework presents the classification of the electroacoustic instruments into subgroups with an emphasis on those which were essential for both the inspiration of the design and for the historical development itself. The subsequent chapter explores the sound synthesis methods and their musical attributes. Afterwards, particular fundamental personae of the history of experimenting with sound and music are mentioned, whose ideas were extracted for the purpose of designing this instrument. The practical part explains the motivation which was present during the work and develops it into a full circuit design. The creative process is supported by explanation of attached diagrams and required calculations. In connclusion, the assembled prototype is presented on a printed circuit board.
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Unconventional Means of expression and techniques. Mathematical principles in comparing unconventional visual and musical art
Effenbergerová, Klára ; Bláha, Jaroslav (advisor) ; Šmíd, Jan (referee)
Univerzita Karlova v Praze / Pedagogická fakulta / Katedra výtvarné výchovy // Charles University in Prague / Faculty of Education / The Department of Fine Art Education Netradiční výrazové prostředky a techniky Matematické principy v komparaci netradičního výtvarného a hudebního díla UnconventionalMeansofexpressionandtechniques Mathematical principles in comparing unconventional visual and musical art Klára Effenbergerová Výtvarná výchova - pedagogika Prezenční studium, 5. ročník Datum dokončení: květen 2011 Vedoucí práce: Doc. PhDr. Jaroslav Bláha, Ph.D. Abstract The thesis deals with a comparative analysis of a project called Poéme électronique in the Philips Pavilion (1958), while an emphasis is put on its mathematical background and broader interdisciplinal contexts. Particular attention is devoted to grand oldman Iannis Xenakis. The thesis tries to interpret the phenomenon of Electronic poetry, which we understand as an effort to design a multimedia "Gesamtkunstwerk". This brings the necessitate of the multi-specialized synthetic approach in searching of a relationship between the kinds of arts, and the analysis of interactions of individual project components.
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Sound objects in art education at primary school
LUTOVSKÁ, Milada
This thesis describes questions of combination of recording and visual arts by means of sound objects creation. The theoretical part deals with the function of arts as a common sphere of musical and creative expression. In particular chapters there are described the essence of visual and auditory perception from a viewpoint of psychology and the interconnection of a creative and a music medium within the selected periods, whose solution are sound objects in visual arts. The last chapter of the theoretical part is about permeation of the music medium to the school subject named Art Education. The project part shows the practical outcome of the thesis- it presents methodically compiled file of creative activities connected with the creation of sound objects within art education at primary school.
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