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Are there any pohotographic representations? Roger Scruton and his critics
Bergmann, Dominik ; Kolman, Vojtěch (advisor) ; Petříček, Miroslav (referee)
This thesis focuses on the answering whether photographic representations exist or not. The answer is searched for in discussions of Roger Scruton and some of his critics. According to Scruton's argument presented in the essay entitled Photography and Representation a photograph cannot be a representation. Scruton claims that only such medium can become a representation that has a certain intentional relation to its subject, however a photograph is defined merely by its causal relation to such object. Scruton's critics believe that a photograph is a representation and criticize him for: i) underestimating the role a photographer's intentions play in a photograph; ii) disregarding a photograph's ability to provide a new way of seeing and thus becoming representational; iii) equivocating between the subject of a painting and the subject of a photograph. It is demonstrated that arguments of Scruton's critics are not able to show Scruton's concept of photography to be false. However, an alternative approach to representation provides a basis to demonstrate in what sense a photograph may be a representation. For that reason it is suggested to consider a photography as an essentially paradoxical medium merging into itself the intentional and causal. Keywords: photograph, representation, intentional...
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Are there any pohotographic representations? Roger Scruton and his critics
Bergmann, Dominik ; Kolman, Vojtěch (advisor) ; Petříček, Miroslav (referee)
This thesis focuses on the answering whether photographic representations exist or not. The answer is searched for in discussions of Roger Scruton and some of his critics. According to Scruton's argument presented in the essay entitled Photography and Representation a photograph cannot be a representation. Scruton claims that only such medium can become a representation that has a certain intentional relation to its subject, however a photograph is defined merely by its causal relation to such object. Scruton's critics believe that a photograph is a representation and criticize him for: i) underestimating the role a photographer's intentions play in a photograph; ii) disregarding a photograph's ability to provide a new way of seeing and thus becoming representational; iii) equivocating between the subject of a painting and the subject of a photograph. It is demonstrated that arguments of Scruton's critics are not able to show Scruton's concept of photography to be false. However, an alternative approach to representation provides a basis to demonstrate in what sense a photograph may be a representation. For that reason it is suggested to consider a photography as an essentially paradoxical medium merging into itself the intentional and causal. Keywords: photograph, representation, intentional...
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Causal Circumstantial Adverbials in the contemporary French: description, position, function. Comparison with Czech.
BEŠŤÁKOVÁ, Kristina
The diploma thesis is dealing with a description, emplacement and function of the causal adverbial complement in the contemporary French and Czech language. This paper is divided into a theoretical and a practical part. In the theoretical part, the topic of causality is elucidated and the notion of causal adverbial complement in the French and Czech linguistic terminology is defined. Further, it works with syntactic and semantic features of causal adverbial complement, observes the possible valence understanding of this sentence member, and deals with the question of its extra-predicative and intra-predicative emplacement, as well. Furthermore, the attention is drawn to the position of causal adverbial complement in a relationship to the functional sentence perspective. The practical part is dedicated to corpus analysis of the chosen causal utterances, which implement the causal adverbial complements. The main focus is given to their emplacement in the French and Czech sentence.
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