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Violin sonatas of Prokofiev
Michalová, Pavla ; PAZDERA, Jindřich (advisor) ; ČEPICKÝ, Leoš (referee)
This thesis deals with the violin sonatas of Sergei Prokofiev. My thesis is divided into five chapters. In the first chapter I present a brief biography of Sergei Prokofiev. The next four chapters deal with the Sonatas No. 1 and No. 2 for Violin and Piano, Sonata for Violin Solo and Sonata for two Violins. In each chapter I write about circumstances of history. Chapters are divided into subsections. Each subsection is devoted to the analysis of one movement.
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Slovak violin creations and their performers
Nagyová, Natália ; ČEPICKÝ, Leoš (advisor) ; PAZDERA, Jindřich (referee)
This bachelors thesis about Slovak music and this concrete chapter - modern music with special view to the most important composers and their creations for violin. In the second part of the point of view is focused on the best performers of this part of Slovak music. The target was not to create the complete list of composers and performers.
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Aaron Copland and his Duo for Flute and Piano
Jarkovská, Jana ; VÁLEK, Jiří (advisor) ; PIVODA, Radomír (referee)
This master´s thesis deals with the personality and works of the 20th century American composer Aaron Copland. In its first part it brings his biography together with a summary of his most important pieces. The second part of the thesis focuses on Copland?s Duo for Flute and Piano written in 1971. Besides the information about the historic context of the piece and its characteristic it contains an interpretative analysis and a parsing of the Duo?s recordings.
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Main Repertoire for the trio Clarinet, Cello and Piano
Marešová, Michaela ; MALÝ, František (advisor) ; KAHÁNEK, Ivo (referee)
My diploma thesis is called Main repertoire for the trio clarinet, cello and piano. The work is devided to three chapters. The first one is called History and present of the trio clarinet, cello and piano. In this chapter are three independent subchapters. The first is about historical development of these instruments. In the seconde is written something about repertoire options for this group and the third one is about tree well-known groups.
The seconde chapter is about the main tema and there is written about the most played and well-known compositions for this ensemble. There is usually written something short about life of the composer and then formal analysis of every piece. The main compositions are written in this order: Archduke of Austria and The Trio for clarinet, cello and piano, Johannes Brahms and The trio a minor op. 114, Max Bruch and Eight pieces op. 83, Vincent d´Indy and The trio B flat major op. 29, Anton Eberl and Grand trio op. 36, Michail Ivanovič Glinka and The trio Pathétique, Emil Hartmann and Serenada op. 24, Adalbert Gyrowetz and The Trio op. 38, Robert Kahn and Serenada op. 73 a Alexandr Zemlinsky and The trio d minor op. 3.
The last chapter is only about The trio B flat major of Ludwig van Beethoven. In three short subchapters is written something about his life, formal analysis and creation of the composition and analysis of interpretation of two records.
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Béla Bartók and his Suite Paysanne Hongroise
Nešverová, Anna ; VÁLEK, Jiří (advisor) ; PIVODA, Radomír (referee)
The Bachelor's thesis "Béla Bartók and his Suite Paysanne Hongroise" describes the
Bartók's life, his folksong collecting, collecting trips and the composition "Suite Paysanne
Hongroise" for flute and piano. The first chapter is focused on composer's life and his
musical development. Second chapter describes folksong collecting and especially Bartók's approaches during the folksong collecting and influence of folksongs to his music. The final chapter is focused on "Suite Paysanne Hongroise" in version for flute and piano. Pictures and scores are viewed in the appendix at the end. Bartók's authentic recordings of folksongs are on the enclosed CD.
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The Preparation of interpretive Performance
Šístek, Eduard ; ERICSSON, Mikael (advisor) ; HOŠEK, Jiří (referee)
This thesis is about the preparation of a performance, the relationship between interpretation and technugue and other elements which constitute a good performance.The key idea is an-round development of a performer´s abilities and skills- Having an idea of both harmonic and formal structure of a composition makes us more able to interpret it. Developed mental abilities of memory and imagination are needed for this as much as a reliable technigue. The quality of a performance is influenced by the preparation process to a considerable extent.Besides, the ability to adapt to the acoustic of the hall and coping with stagefright do not lack importance either. Every public performance brings new sensation and inspiration. The performer should eventually review his performance, thus giving himself a hint of what he should work on further.
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Antal Doráti and his Composittion for Oboe
Trojanová, Iveta ; MIHULE, Jiří (advisor) ; BROŽKOVÁ, Jana (referee)
The thesis "Antal Doráti and his compositions for oboe" is about personality Doráti Antal, who was a great conductor, composer, theoretician. Contains closer acquaintance with his compositons with his conducting career, inspirations and analysis Duo concertante. It could become a practical guide for all who are interested in Hungarian music, hear a compositions from the composer or just want to expand their knowledge of composers. I think this may work for some choice of repertoire from Antal Doráti.
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Compositions of Igor Stravinsky for Violin
Skalický, Ondřej ; PAZDERA, Jindřich (advisor) ; MATOUŠEK, Bohuslav (referee)
The topic of my thesis is life and work of Igor Stravinsky with norrow focus on compositions for violin. I give greater emphasis to compositions Concerto in D for Violin and Orchestra and the Italian suite with which I have personal experience. Igor Stravinsky composed most of the compositions in the 1930th in cooperation with the violinist Samuel Duskin. Only a few of them are completely original works. The author often used musical themes from his own previously composed ballets, such as the The Firebird, Petrushka, The Soldier's Tale, Pulcinella, or Fairy's Kiss.
Composer Igor Stravinsky is certainly a controversial figure. Though essentially a pragmatist, he was always directed more by instinct while creating music. I would like to present to not only violinists interesting circumstances of compositions, even though is still little available informations.
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Beethoven´s Violin Concerto and its Interpretation
Štajnochrová, Adéla ; MATOUŠEK, Bohuslav (advisor) ; Willi, Barbara Maria (referee)
This thesis focuses on the Violin Concerto composed by L. v Beethoven, its interpretation and the changes in attitude towards the composition within the two centuries of its existence. The paper is divided in four chapters. First of all it provides information based on primary sources about the development and changes in the violin technique and interpretation. After that an insight into the fate of the concerto after its premiere occurs, followed by an account of its performers. The following chapters compare first the different editions of the concerto and later on its numerous recordings. A live recording of the concerto performed by the author accompanied by Musica Florea with the conducter Marek Štryncl makes part the thesis.
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