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The Personality Of Miloslav Kabelac And His Sonatina For Oboe And Piano
Trnčíková, Barbora ; SEQUARDTOVÁ, Liběna (advisor) ; MIHULE, Jiří (referee)
This thesis follows the life of the Czech composer of the twentieth century, Miloslav Kabeláč, with special focus on his Sonatina for Oboe and Piano op. 24. The aim is to shed light on the grim fate of a signifiant Czech symphonist, whose music was silenced during both the World War II and the communist era in Czechoslovakia. An analysis of Sonatina for Oboe and Piano has been performed and included in order to increase the general awareness of this piece and to help other interprets better understand it and study it more thoroughly.
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French oboe school and its influence between bohemian oboe school
Škreptáčová, Anna ; MIHULE, Jiří (advisor) ; BROŽKOVÁ, Jana (referee)
The topic of this Master’s thesis is term of the French oboe school and then the influence of this specific school on the oboe school in Bohemia. The aim of the thesis is to find validity of this term at present, provide factual informations about French oboe school and write down the own experiences of the author. In the introduction the author explains the meaning of the term French oboe school in this thesis, author represents the aims of the thesis and the reasons for choosing a topic. The first chapter focuses on the term of the French oboe school and its meaning in the context of time. Second chapter describes the historical development of the French oboe school, the French oboe producers and the current system of musical education in France. The third chapter, based on the author's experience, is focused on the French oboists who worked in Bohemia. Czech interpreters who are connected with the French oboe school are mentioned in the fourth chapter. The last chapter describes the author's experience with studying at the Paris National Conservatory of Music and Dance. Gained knowledges are summarized in the end of the thesis.
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Oboe works of Czech composers in the 18th century
Vávrová, Jarmila ; BROŽKOVÁ, Jana (advisor) ; SEQUARDTOVÁ, Liběna (referee)
This work deals with the oboe works of Czech composers of the 18th century. Its aim is to bring the composer and their works into wider awareness, for many have already been forgotten. I focused on oboe concerts, sonatas, quartets and marginal chamber compositions written for oboe or related instruments. For this I have used all available means: literature, the internet, recordings and sheet music materials. The work also includes an analysis of Fiala’s E♭ major Concerto for English horn and Orchestra, which inspired me to write this work. It is not possible to circumvent without shortly outlining the time and the political situation, since its influence on the musicians at that time was often very significant. It also addresses the question of their frequent emigration abroad and why Czech composers have contributed to the development of the early European classicism. I set out to aim not only to create an overview of the oboe creation of these authors, but also to provide brief biographies showing their personalities. By studying the materials, I have gradually come to realize that many works are really valuable and, in my opinion, wrongly neglected.
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The oboe solo in Smetana's Blaník in the context of the 19th century pastoral musical motifs
Podroužek, Vojtěch ; Ottlová, Marta (advisor) ; Gabrielová, Jarmila (referee)
The aim of this bachelor thesis is to point to the tradition of pastoral in the 19th century symphonic music with the use of the oboe or english horn as the instruments with a special characteristic to this color. As a principal specimen of this kind of music to this thesis was chosen the oboe solo of Smetana's Blaník symphonic poem. In connection with this symphonic poem all the so far known analysis of this piece have been recapitulated with the addition of a proposal to the new possible approach to such an analysis of this piece and all this was laid out to two individual chapters. Through the next specimens of 19 th century pastoral music, among which have been selected parts of Beethoven's, Rossini's, Berlioz's or Wagner's pieces is given evidence of the another compositional approaches to this topos of the 19th century European symphonic music.
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Oboe - history and evolution of the instrument
Kopicová, Jana ; BROŽKOVÁ, Jana (advisor) ; SEQUARDTOVÁ, Liběna (referee)
Thesis with the title: Oboe - history and evolution of the instrument deals with gradual development of double reeds wind instruments since prehistorical times until now. It should benefit wind instrument players and espetially oboe players.
This thesis is devided to fourteen chapters. First chapter sums up the history of the oldest double reeds instruments. Second continues with the description of shawms, which were direct predecessors of oboe. Following chapter describes most important part of oboe, as reed is, and shows its origin and evolution. Fourth and fifth chapters of the thesis deal with history of creation and development of baroque oboe and its reed. Continuing with chapter nuber six, which contains information about english horn as one of oboes related instruments, and chapter seven mentioning oboe da caccia. In eighth chapter we can find description of 18th century oboe developement and onwards the most famous players of oboe in chapter nine. In thenth chapter of the thesis we can find detailed description of oboe d'amoure. Most important literature written for oboe "d'amoure" is found in chapter number eleven. Chapter twelve contains evolution of the instrument in 18th century and personates most significant players of their time. Number thirteen summarizes information about oboe in 19th century. The contemporary shape of oboe as well as its current world vendor offer we can find in the last fourteenth chapter of the thesis.
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Klement Slavický and his Suite for oboe and piano
Bílá, Denisa ; BROŽKOVÁ, Jana (advisor) ; SEQUARDTOVÁ, Liběna (referee)
This thesis deal with life and work of czech musical composer of 20th century, Klement Slavický with special focus on his Suite for oboe and piano. The effort is to approach life story of a persecuted composer, whose works were known behind the borders despite the unwillingness of a political regime. Althought his work as well as his life story is not in common awareness. The analysis of Suite for oboe and piano is to be a help to next interpreters to understand the piece and to be a help with its playing. There is also a studio recording made for better picture and clearness of the piece.
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DAILY EMBOUCHURE HYGIENE FOR ADVANCED FRENCH HORN PLAYERS - PART 2
Javůrková, Kateřina ; BABORÁK, Radek (advisor) ; DIVOKÝ, Zdeněk (referee)
This study investigates the warm up process of an advanced french horn player. Through and meaningful warm up should be as natural as brushing teeth that is why I call it hygiene. Above all, this study should be a tool for every player who hasn’t created his own system of warm up and inspiration for everyone else who wants to refresh his daily warm up routine. In this study you will find daily exercises for widening the range, tongue speed, embouchure flexibility, which I recieved by several professional horn players.
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Isang Yun and his works for oboe
Moťková, Kamila ; BROŽKOVÁ, Jana (advisor) ; SEQUARDTOVÁ, Liběna (referee)
Isang Yun and his works for oboe is a title of this master thesis. It introduces a personality of a Korean composer Isang Yun and it focuses on his works for oboe. The first chapter contains resumé of principal moments of the composer´s life. The next chapter briefly touches characteristics of traditional Korean music, how the western culture is displayed in the Korean music, what is its influence on the Korean music and their inosculation into each other. The following chapter has an aim to introduce the biggest inspirational element in Yun´s life - the philospophy of Taoism. The fourth chapter describes a compositional style of Isang Yun in which elements of both different cultures combine in a unique way. In this chapter one fractional subchapter is also introduced where an insight into a few compositional techniques of the composer and an approach of audience to Yun´s music can be found. Final chapter contains analysis of eight compositions, which Isang Yun wrote for oboe Piri, Doppelkonzert for oboe and harp, Inventionen, Rondell, Images, Quartett for oboe and strings, Bläserquintett and Bläseroktett.
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