National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
Intrapersonal Communication as an (In)separable Constituent of a Drama Following Zich’s Aesthetics of Dramatic Art and Osolsobě’s Drama as Communication Through Communication About Communication
Bruzlová, Petra ; MUSILOVÁ, Martina (advisor) ; ETLÍK, Jaroslav (referee)
This master’s thesis aims to extend professor’s Ivo Osolsobě study Drama as Communication Through Communication About Communication by specific human form of communication called intrapersonal communication. Based on psychological bases laid by Jean Piaget and Lev S. Vygotskij it shows gradual development including the emergence of inner speech as a condition for intrapersonal communication, as well as possible forms and attempts to define intrapersonal communication. Finally, it describes intrapersonal communication as concrete examples of both direct or indirect elements of methods of actor’s work.
Terra Histrionis: The Research of The Art of Acting
Adamová, Marie ; ETLÍK, Jaroslav (advisor) ; CÍSAŘ, Jan (referee)
The thesis is focused on basic understanding of the actor as an acting component of the theatre piece and follows his work and creation during the life theatre performace as well as during the rehearsing process (with description of general acting technics).
Serge Reggiani, the importance of inconspicuousness
Hrzina, Václav ; VALAK, Radim (advisor) ; Slavíková, Nataša (referee)
I would like to understand the importance of an actor in a movie. I choosed Serge Reggiani, a french actor, who never became a star number one. Reggiani went through a lot of important movies in principal or small roles. What it really means acting in a movie, what brings freedom to an actor in front of a camera and is one actor able to play different characters in every other movie. A diversity and length of his filmography, different directing styles he went through will help me to concretize attitude of an actor and perception of his „different“ characters by audience. I would like to bring up some acting metodes in cinematography in my work too.
Michael Chekhov's Actor's Technique
Vavroch, Jaromír ; VINAŘ, Josef (advisor) ; KORČÁK, Jakub (referee)
The thesis deals with Michael Chekhov's actor's technique. It stresses out free creation of artist based on developing of imagination, feeling of atmosphere and work with personal unconscioussness. The creation stands against analysis and reason. Inspired by Jung and Nietzsche I come to conclusion the creation's territory is the area of mythology.

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