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My Bachelor's Thesis
Moravanský, Tomáš ; Nadaud, Pierre (referee) ; Ptáček, Jiří (advisor)
Videomeaning is the second of a series of pictorial compositions. They build on linking words and their meanings, each one kreujúcich framework. In the version of the genre are the outputs of the four characters in the same situation in one room, each of which can function as a single unit with an inherent background as well as a sample, cut a kind of fictional universe, which in his work long build. Imagine more storey house on each floor and several rooms. Monochrome spaces throughout the building, where the color and atmosphere determined by light and sound in every room differently. As one of the rooms, the floors, the theme of which is Videomeaning. Room inhabit in this case four characters, each living their own lives. The characters carried by description, white card on which the explanation of their meaning in the simplest form possible. They are the only other inhabitants of the house. On this floor is their meaning, have meaning. Explanation importance. The first plan. Name, origin, function and material. Some character is a separate room, another may be the opposite in greater numbers, and the focus is more on the compositional enjoyment. Indeed, each it is operating on their own, unless in one act with several characters to one meaning. For this moment, I chose the example of the four figures that work in both cases.
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Farm in the cave: Disconnected
Částková, Monika ; GREMLICOVÁ, Dorota (advisor) ; OPAVSKÁ, Andrea (referee)
The thesis studies and describes movement in physical theatre. Specifically it works with the production Odtržení of the dance group Farm in the cave.
The production was selected as the best production of the year 2016 on the festival of Czech Dance Platform. The thesis uncovers the backstage of preparations of the production, including the study stay in Japan and the process of creation of individual components of the production. It describes the content and the movement interpretation of individual scenes and situations. Since the author of the thesis took part in the production as one of its interpreters and at the same time participated in its choreography, the thesis includes subjective reflections, personal experience and interviews with other actors in the production.
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DV8: Male bodies in the dance for camera
Mrázová, Adéla ; Svatoňová, Kateřina (advisor) ; Španihelová, Magda (referee)
This bachelor thesis is occupied with the image of man body in the screen dance ganre and focuses on a few carefully chosen movies, in which the body is invastigated as a symbol and expressive element. All the researched movies (Strange fish /1892/, Enter Achilles /1896/, Dead Dreams of Monochrome Men /1989/) were created by DV8 Physical Theatre. I am interested in the way those movies relate to the phenomenon of masculinity, how they represent it and make it an aesthetic object, how they refuse or affirm the ideas of its fulfillment. I use the feminist and gender theories to define masculinity and as my primary methodological resource. I also put the movies in the historical context of the development of dance and trace influences that enabled DV8 Physical Theatre to represent the male body the way it does.
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My Bachelor's Thesis
Moravanský, Tomáš ; Nadaud, Pierre (referee) ; Ptáček, Jiří (advisor)
Videomeaning is the second of a series of pictorial compositions. They build on linking words and their meanings, each one kreujúcich framework. In the version of the genre are the outputs of the four characters in the same situation in one room, each of which can function as a single unit with an inherent background as well as a sample, cut a kind of fictional universe, which in his work long build. Imagine more storey house on each floor and several rooms. Monochrome spaces throughout the building, where the color and atmosphere determined by light and sound in every room differently. As one of the rooms, the floors, the theme of which is Videomeaning. Room inhabit in this case four characters, each living their own lives. The characters carried by description, white card on which the explanation of their meaning in the simplest form possible. They are the only other inhabitants of the house. On this floor is their meaning, have meaning. Explanation importance. The first plan. Name, origin, function and material. Some character is a separate room, another may be the opposite in greater numbers, and the focus is more on the compositional enjoyment. Indeed, each it is operating on their own, unless in one act with several characters to one meaning. For this moment, I chose the example of the four figures that work in both cases.
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APPLICATION OF FOLKLORE PRINCIPLES IN PHYSICAL THEATER
Talaga, Martin ; STAVĚLOVÁ, Daniela (advisor) ; FRIČOVÁ, Marie (referee)
It can seems that folklore and physical theater are two very different issues. But they have got so many things in common bacause folklore have got so many principles which can help us find ritual character of theater. First of all because of folklore syncretism - it contains small rituals, games, plays, dance, music and spoken word. Contemporary art does not use these principles so much. We are used to that folklore is always presented by smal folklore village groups, or big professional companies. But there are much more possibilities than this, because principles which has been used before, are still very functional and usefull. This has been already marked by couple of great theoretics of theater. We reached this statement by observing of artists and dance companies which already involved folklore tradition to their work, and by my own choreographic work .
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