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Image stylization and its perception by viewer in film and virtual reality.
Dvořáček, Šimon ; MACÁK, Jiří (advisor) ; JÍCHA, Marek (referee)
The purpose of this thesis is to describe the elements of stylization and the cameraman's procedures, especially for documentary film creation. A further aim is to explain the concept of virtual reality and to provide a description of what this term means today. Finally, this thesis considers VR as a possible upcoming medium and describes the individual points of production of a project, especially from the point of view of the cameraman.
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Aspect ratio of cinematic image
Melka, Kryštof ; SYSEL, Tomáš (advisor) ; MACÁK, Jiří (referee)
This theoretical work concerns the ratio of width and height of the frame of a film image. It aims at analyzing this technical parameter above all as an expressive and storytelling tool of the film language. The study investigates its capability to influence the viewer in the context of historical development, technical aspects, and human visual perception of the world.
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The evolution of night shooting
Frkal, Tomáš ; MACÁK, Jiří (advisor) ; WEISER, Antonín (referee)
The thesis focuses on the historical development of night shots, which are mainly limited by the technological possibilities. Besides the impact of the digital revolution, the light sensitive cameras and new lightening techniques, it is also a matter of trends. The success of night scenes are determined by the difficult circumstances in the production and the viewers acceptance. Apart from the technological aspects this paper focuses on the different styles of night shots, that have been changing through the decades. The paper starts by describing the physiology of the human eye, continues with the realisation of night shots and finishes with assumptions for the future.
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Image structure as an expressive element of motion pictures
Ticháček, David ; JÍCHA, Marek (advisor) ; MYSLÍK, Jiří (referee)
My bachelor thesis deals with the structure of the film image and its effect on the viewer of
the audiovisual work. It attempts to present an overall view of the image structure phenomenon.
The first part briefly describes the historical milestones that led to the phenomenon of film grain.
It further clarifies the essence of the concept of image structure and explores physicochemical
grain of film materials. It examines the aesthetic essence of film grain and points out the ways in
which human vision perceives grain. It describes methods employing the structure of the picture
in cinematographic practice. Through empirical research, it determines the real influence of the
grain in the image on the viewer’s perception of the emotional impact of the film and the image
itself.
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Immersive Cinema
Marek, Filip ; WEISER, Antonín (advisor) ; FUXJÄGER, Klaus (referee)
This theoretical bachelor thesis aims to analyze “immersive” film from formal and narrative perspective. Immersivity is discussed through three primary elements: image, sound and theme. These categories are exemplified on two highly “immersive” films, Son of Saul (dir. László Nemes) and Gravity (dir. Alfonso Cuarón). The specific aspects of these films are transgressing the film medium itself, evoking physical reactions in spectators and therefore becoming distinct from the “classically” shot films.
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Director of photography and his objectives
Adam, Daniel ; KOBLOVSKÝ, Petr (advisor) ; MACÁK, Jiří (referee)
The main purpose of this thesis is to focus on methods and potentials of a director of photography when working on a feature. It tries to define cinematographer's tools and approaches in the course of making a fiction film from early pre-production to final postproduction. It contemplates the role of movie photography and how it effects the overall movie quality.
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