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Contemporary Spanish literature in Mario Camus's filmography; House of Bernarda Alba, The Hive, The Innocents Saints
Buršíková, Petra ; Sánchez Fernández, Juan Antonio (advisor) ; Holub, Jiří (referee)
In the thesis "Contemporary Spanish Literature in the filmography of Mario Camus, The Beehive, The Holy Innocents, The House of Bernarda Alba" the focus has been on the reflection of Spanish literature in the work of an eminent Santander director Mario Camus. We have especially focused on comparing original works and their film adaptations, and on analysis of topics and values, which are mediated to the audiences. In the first chapter we have introduced Maria Camus as a person, his roots, and artistic tendencies. We have focused on the historical and cultural circumstances, which created the background for development of Camus' work and we have clarified the importance of the director in a group of new Spanish film. This group brought Spanish cinematography of that time a new view of presented reality. The second chapter provides a short introduction to literary and cinematic means of expression, clarifies their main differences and presents their terminologies, which will serve as fundamentals for the following chapters. In the main section, which comprises three chapters, we focused on the actual purpose of this thesis: that is the comparison of literary originals to their film adaptations, an analysis of each of the works. Based on its assessment we have transformed the specifics of the literary original...
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Imaginary in film: viewer's perception of the film
Remešová, Iveta ; Řehořová, Irena (advisor) ; Borecký, Felix (referee)
This thesis deals with the film in the psycho-semiotics' meaning. We focus on the viewer's perception of the film and we emphasize the concept of imaginary that is to be explained as mere image (imago) in comparison with the reality of actual gestures and movements and such image is not usually realized by the viewer. The aim of the thesis is to analyze the film from the perspective of the viewer's perception of the film and to apply acquired knowledge to the reception of Kill Bill Vol. 1 and 2 film. We want to find out whether and under what conditions the viewer becomes aware of the imaginary that is ubiquitous in the film. We're looking for viewer's semiotic and cognitive attitudes to the film art. We also try to describe the influence of elements, which have some effects on the viewer during watching a movie, such as emotions, movement, connotative meanings in the film or positive and negative characters etc.
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