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Reflection in period newspapers of Czech directors of the sixties in the time of their return after the enforced work break
Jílková, Alžběta ; Bednařík, Petr (advisor) ; Novotný, David Jan (referee)
The thesis finds out the manner and the range of reviewing comeback of directors and their new films after enforced work break during the Czechoslovak normalization. For the purpose of the research were chosen articles published in 4 daily newspapers, concerning Rudé právo, Mladá fronta, Lidová demokracie a Zemědělské noviny, and 3 special film periodicals Záběr, Kino and Film a doba. These periodicals were examined in period from 1974 to 1979, in the period of comeback of all chosen directors, starting with Věra Chytilová, Jiří Menzel, Hynek Bočan and ending with Juraj Jakubisko and František Vláčil. These daily newspapers occasionally publish the critics, by contrast the film periodicals review Czech and Slovak films very often wit reportages, critics, interview or short reporting. The evaluation of directors and their films depended on several aspects: first of all on the behavior of directors and attitude to socialistic state and politics, on the author of literature artwork (in case of novels for example), on characteristic of socialistic society presented by films and also on the author of certain critic. The best evaluation gets Menzel's film which was talking about socialistic workers and Vláčil's film, an adaptation of national socialistic writer Bohumil Říha's novel. The smallest review gets...
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Perception of Czechoslovakian cinematography by German film periodicals between 1933-1945
Bělohlávková, Alice ; Bednařík, Petr (advisor) ; Kofroň, Václav (referee)
Diploma thesis "Perception of Czechoslovakian cinematography by German film periodicals between 1933 - 1945" deals with the Czech film industry as it was received by German specialized press with an emphasis on the recognition of changes, that took place after the formation of the Protectorate of Bohemia and Moravia. The period is divided into two stages. The first, 1933 to March 15, 1939 and the second, March 16, 1939 to May 1945, when the end of the Protectorate of Bohemia and Moravia was proclaimed. Historical events determined the path of Czech cinematography and later protectoral cinematography (Slovak cinematography was not developed at the time). These events are specified in the thesis as well as the Czech film industry in terms of local and foreign production, distribution, film - makers and organizations. A lot of news from Czech lands was published in the German press due to close connections between Czech and German cinematography which was only further interconnected after the formation of the Protectorate. The analytical portion comprises a historical comparison of texts from daily Der Film - Kurier, weekly Der Film and monthly Der deutsche Film. The articles are divided according to their topics and compared with each other in concurrent periods. The character and impletion was changed by...
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The reflection of German cinematography in the Czech film press 1936-1939
Klvaňová, Veronika ; Bednařík, Petr (advisor) ; Dominik, Šimon (referee)
Bachelor thesis "Reflection of German cinematography in selected Czech film periodicals from 1936 till March 1939" records in what way Czech film periodicals reacted to the development and changes of the German cinematography in context of political and social transformations both nations underwent during the above-mentioned period. The thesis focuses on whether the film periodicals changed the way they reflected German cinematography during the period of escalating Nazi aggression towards Czechoslovakia and especially in the situation after the acceptance of Munich Agreement. The opening section covers broader historical and media context of Czechoslovakia in the era of the First Czechoslovak Republic. The next part describes and characterizes analysed film periodicals, weekly Kinorevue, Filmový kurýr and biweekly Filmové listy. Separate chapter is focused on German cinematography from its development during the period of mute films, throughout the changes caused by the introduction of audio films, until the German film industry was put under state control by Hitler and the film was used as a tool of Nazi propaganda. The final section deals with comparative analysis of articles in the above-mentioned periodicals reflecting German cinematography. The goal of this thesis is to find out, whether the...
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Transformations of Kinorevue newsreel in 1934-1945
Smržová, Radka ; Bednařík, Petr (advisor) ; Cebe, Jan (referee)
Bachelor's thesis "Transformations of Kinorevue newsreel in 1934-1935" records the development of the popular film periodical during the above-mentioned period considering cultural and political development of the Czech society. The thesis deals with content and formal analysis of Kinorevue newsreel. The attention is paid to the personnel management of the magazine, its correspondents, important texts, features, graphical arrangement, range, price etc. A certain place is also given to the brief analysis of Kinorevue newsreel predecessor - Svět ve filmu a obrazech magazine. Brief characteristics of political and economical conditions in Czechoslovakia during the years 1930-1945 and a summary of the Czechoslovak cinametographical development in 1930s and during the Protectorate of Bohemia and Moravia come before the analysis. Sections aimed at the genesis and development of the Czechoslovak film press and at the press regulation and controlling from the beginning of Czechoslovakia to the end of the World War Two are significant parts of the essay, too. The Bachelor's thesis is closed by the chapter summarizing and comparing every single period in Kinorevue newsreel development.
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The reflection of German cinematography in the Czech film press 1936-1939
Klvaňová, Veronika ; Bednařík, Petr (advisor) ; Dominik, Šimon (referee)
Bachelor thesis "Reflection of German cinematography in selected Czech film periodicals from 1936 till March 1939" records in what way Czech film periodicals reacted to the development and changes of the German cinematography in context of political and social transformations both nations underwent during the above-mentioned period. The thesis focuses on whether the film periodicals changed the way they reflected German cinematography during the period of escalating Nazi aggression towards Czechoslovakia and especially in the situation after the acceptance of Munich Agreement. The opening section covers broader historical and media context of Czechoslovakia in the era of the First Czechoslovak Republic. The next part describes and characterizes analysed film periodicals, weekly Kinorevue, Filmový kurýr and biweekly Filmové listy. Separate chapter is focused on German cinematography from its development during the period of mute films, throughout the changes caused by the introduction of audio films, until the German film industry was put under state control by Hitler and the film was used as a tool of Nazi propaganda. The final section deals with comparative analysis of articles in the above-mentioned periodicals reflecting German cinematography. The goal of this thesis is to find out, whether the...
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Transformations of Kinorevue newsreel in 1934-1945
Smržová, Radka ; Bednařík, Petr (advisor) ; Cebe, Jan (referee)
Bachelor's thesis "Transformations of Kinorevue newsreel in 1934-1935" records the development of the popular film periodical during the above-mentioned period considering cultural and political development of the Czech society. The thesis deals with content and formal analysis of Kinorevue newsreel. The attention is paid to the personnel management of the magazine, its correspondents, important texts, features, graphical arrangement, range, price etc. A certain place is also given to the brief analysis of Kinorevue newsreel predecessor - Svět ve filmu a obrazech magazine. Brief characteristics of political and economical conditions in Czechoslovakia during the years 1930-1945 and a summary of the Czechoslovak cinametographical development in 1930s and during the Protectorate of Bohemia and Moravia come before the analysis. Sections aimed at the genesis and development of the Czechoslovak film press and at the press regulation and controlling from the beginning of Czechoslovakia to the end of the World War Two are significant parts of the essay, too. The Bachelor's thesis is closed by the chapter summarizing and comparing every single period in Kinorevue newsreel development.
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Reflection in period newspapers of Czech directors of the sixties in the time of their return after the enforced work break
Jílková, Alžběta ; Bednařík, Petr (advisor) ; Novotný, David Jan (referee)
The thesis finds out the manner and the range of reviewing comeback of directors and their new films after enforced work break during the Czechoslovak normalization. For the purpose of the research were chosen articles published in 4 daily newspapers, concerning Rudé právo, Mladá fronta, Lidová demokracie a Zemědělské noviny, and 3 special film periodicals Záběr, Kino and Film a doba. These periodicals were examined in period from 1974 to 1979, in the period of comeback of all chosen directors, starting with Věra Chytilová, Jiří Menzel, Hynek Bočan and ending with Juraj Jakubisko and František Vláčil. These daily newspapers occasionally publish the critics, by contrast the film periodicals review Czech and Slovak films very often wit reportages, critics, interview or short reporting. The evaluation of directors and their films depended on several aspects: first of all on the behavior of directors and attitude to socialistic state and politics, on the author of literature artwork (in case of novels for example), on characteristic of socialistic society presented by films and also on the author of certain critic. The best evaluation gets Menzel's film which was talking about socialistic workers and Vláčil's film, an adaptation of national socialistic writer Bohumil Říha's novel. The smallest review gets...
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Perception of Czechoslovakian cinematography by German film periodicals between 1933-1945
Bělohlávková, Alice ; Bednařík, Petr (advisor) ; Kofroň, Václav (referee)
Diploma thesis "Perception of Czechoslovakian cinematography by German film periodicals between 1933 - 1945" deals with the Czech film industry as it was received by German specialized press with an emphasis on the recognition of changes, that took place after the formation of the Protectorate of Bohemia and Moravia. The period is divided into two stages. The first, 1933 to March 15, 1939 and the second, March 16, 1939 to May 1945, when the end of the Protectorate of Bohemia and Moravia was proclaimed. Historical events determined the path of Czech cinematography and later protectoral cinematography (Slovak cinematography was not developed at the time). These events are specified in the thesis as well as the Czech film industry in terms of local and foreign production, distribution, film - makers and organizations. A lot of news from Czech lands was published in the German press due to close connections between Czech and German cinematography which was only further interconnected after the formation of the Protectorate. The analytical portion comprises a historical comparison of texts from daily Der Film - Kurier, weekly Der Film and monthly Der deutsche Film. The articles are divided according to their topics and compared with each other in concurrent periods. The character and impletion was changed by...
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