National Repository of Grey Literature 2 records found  Search took 0.02 seconds. 
X-Y-Z FILM
Smrekovský, Adam ; Šplíchal, Pavel (referee) ; Šrámek, Jan (advisor)
The central theme of my diploma thesis is the functioning representatives of the generation Z in the periphery of the global metropolis of the 21st century. I have already dealt with the theme in the bachelor thesis, where together with the fictitious character of Breck Coleman, we "naively" escaped from the city environment to the unspecified countryside. The characters around which the action of the thesis is built is also thinking about leaving the place where they live, but not in the countryside, but to another country and another city… They perceive the move as a necessity, but at the same time realize that they do not solve anything. In the end, they come to the fact that the problem is not resolved by changing the environment-there must be a complete change in the ruling ideology, but it is not impossible in any conventional way… The scene comes with various conspiracy theories and post-truths that should make the way to change the ruling ideology.
Connection between film and visual art in the 1st half of the 20th century
Jouzová, Tereza ; Arbanová, Linda (advisor) ; Jakubcová Hajdušková, Lucie (referee)
Jouzová, T.: Connection between film and visual art in the 1st half of the 20th century, [Master thesis], Prague 2017-Charles University, Faculty of Education, Department od Art Education, , 150p. (Attachments: art work of pupls and my own work on DVD) Master thesis is focused on connection between visual art and film in the1st half of the 20th century from the perspective of art history and film history and theory of filmu. It deals with significant art and cinematic styles, trends and lines which connects the sphere of film and visual art. I enrich the historical context through etymological point of view on the modern art and I use subjective associations to this etymological contexts. The mutual content, stylistic and artistic bases are substantiated by the examples of visual artists interested in making movies. In the theoretical text are indicated some didactic subtopics related to the subscribed topics out of artistic view. Some of these inserts can be used separately, some of these are connected to the didactical part of the work. There are the projects linking art and film production in a historical context. Knowledge and experience I've gained of the preceding parts of the text are reflected in my own multimedial instalation. KEYWORDS film avantgarde, modern art, expressionism,...

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