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Savagery in The Inheritors and the Lord of the Flies by William Golding
Juranková, Miriam ; Higgins, Bernadette (advisor) ; Chalupský, Petr (referee)
Savagery in The Inheritors and the Lord of the Flies by William Golding Bachelor thesis, Bc. Miriam Juranková, 2016 ABSTRACT William Golding dedicated his life's work to an exploration of man's nature. The primary themes of most of his novels are the conflict between civilization and savagery, good and evil and the question of the source of evil within man. This thesis focuses on his first two and most well-known novels: Lord of the Flies and The Inheritors. The objective of this thesis is to analyse the theme of savagery in these books. The aim of this thesis is to infer what Golding intends to convey concerning the nature of man and to analyse how he understands and views savagery. The theoretical foundation of this thesis is based on a comprehensive definition of the terms civilization, savagery and barbarism derived from their etymology and their meaning within various social sciences; and Golding's own ethical doctrine established in his works. Other sources include works focused on literary analysis of Golding's novels, interviews and articles written about Golding's life and work and naturally both the novels analysed. Key words: savagery, savage instinct, civilizing instinct, civilization, barbarism, morality, innate evil, man's nature, cruelty, William Golding, Lord of the Flies, The Inheritors
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Savagery in The Inheritors and the Lord of the Flies by William Golding
Juranková, Miriam ; Higgins, Bernadette (advisor) ; Chalupský, Petr (referee)
Savagery in The Inheritors and the Lord of the Flies by William Golding Bachelor thesis, Bc. Miriam Juranková, 2016 ABSTRACT William Golding dedicated his life's work to an exploration of man's nature. The primary themes of most of his novels are the conflict between civilization and savagery, good and evil and the question of the source of evil within man. This thesis focuses on his first two and most well-known novels: Lord of the Flies and The Inheritors. The objective of this thesis is to analyse the theme of savagery in these books. The aim of this thesis is to infer what Golding intends to convey concerning the nature of man and to analyse how he understands and views savagery. The theoretical foundation of this thesis is based on a comprehensive definition of the terms civilization, savagery and barbarism derived from their etymology and their meaning within various social sciences; and Golding's own ethical doctrine established in his works. Other sources include works focused on literary analysis of Golding's novels, interviews and articles written about Golding's life and work and naturally both the novels analysed. Key words: savagery, savage instinct, civilizing instinct, civilization, barbarism, morality, innate evil, man's nature, cruelty, William Golding, Lord of the Flies, The Inheritors
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Indians as the Imminent Threat: The Portayal of indians in Captivity Narratives
Brožová, Tereza ; Robbins, David Lee (advisor) ; Veselá, Pavla (referee)
in English This particular MA thesis concentrates on the portrayal of Indians in captivity narratives of the early seventeenth and eighteenth centuries, the essential source material being Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, first published in 1682. The thesis explores the relationship between Native Americans and settlers who saw Indians as a threat to their own existence and also as a threat to the western expansion. It also focuses on the confrontation of savagery and civilization from the point of view of common presuppositions and prejudices about the Native Americans that are very often depicted in several captivity narratives. Moreover, the thesis provides necessary definition of the genre of the captivity narrative with regard to the reaction of the reading public in the period of the seventeenth and eighteenth centuries. From the first arrivals of settlers and explorers the American continent symbolized a land of vast opportunities. Nevertheless, the continent not being fully explored was shrouded in a veil of mystery. Explorers and adventurers were fascinated by the extensive natural resources they found in the New World. Moreover, the New World was often called New Canaan or the Garden of Eden as it symbolized for the newcomers a possibility to start a new...
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The idealized portrayal of Indians in James Fenimore Cooper's The Last of Mohicans and René Francois de Chateaubriand's Les Natchez
Brožová, Tereza ; Procházka, Martin (advisor) ; Veselá, Pavla (referee)
The aim of this bachelor thesis is the depiction of the portrayal of Indians in two pieces of art, James Fenimore Cooper's The Last of the Mohicans and René François de Chateaubriand's Les Natchez. Both authors depict the character of the Indian on the background of the emerging American states. The exotic setting, which fascinated a great number of artists, served as a device for the critique of the European society and civilization. The wilderness of the American continent was shrouded in mystery and thus stimulated the imagination of writers. Cooper and Chateaubriand were influenced by the reading of early reports of adventurers and ethnographers. These records were mingled with their own experience, traditions, myths, and the common presuppositions. Therefore, in both pieces of art, Indian characters bear idealized character features. Cooper and Chateaubriand both deal with the issue of mixing of races, gender and racial roles, and tension between civilization and savagery. Due to the problem of the blood- purity which would be destroyed by the interracial marriage, the main heroes of The Last of the Mohicans are sentenced to die. Chateaubriand, on the other hand, burdens his characters with Christian features and their lives are spent in brooding over the uneasiness of life and destiny. The thesis also...
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