National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Theatrical Signs in the Performance "The Education of Little Tree"
Axmanová, Petra ; Marcelli, Miroslav (advisor) ; Švantner, Martin (referee)
The thesis examines a sign and its theory, focusing on the function of sign in art, particularly in theatre. Both communication conditions and meaning production are covered. The practical part analyzes particular theatrical signs in 'The Education of Little Tree' performance. Selected parts of the performance are examined in detail with regards to the theatrical signs and generating meaning in terms of work with gesture. Further it studies changes of actors' characters and as well as analogue and digital communication. It deals with the question how to create a wide range of characters and settings while using only a very limited selection of props, coulisses and costumes. The results of nonverbal communication analysis are presented in the conclusion of the thesis.
Theatrical Signs in the Performance "The Education of Little Tree"
Axmanová, Petra ; Marcelli, Miroslav (advisor) ; Švantner, Martin (referee)
The thesis examines a sign and its theory, focusing on the function of sign in art, particularly in theatre. Both communication conditions and meaning production are covered. The practical part analyzes particular theatrical signs in 'The Education of Little Tree' performance. Selected parts of the performance are examined in detail with regards to the theatrical signs and generating meaning in terms of work with gesture. Further it studies changes of actors' characters and as well as analogue and digital communication. It deals with the question how to create a wide range of characters and settings while using only a very limited selection of props, coulisses and costumes. The results of nonverbal communication analysis are presented in the conclusion of the thesis.
Costume in the theatre played by adolescents
Pařízek, Aleš ; PROVAZNÍK, Jaroslav (advisor) ; VOSTÁREK, Karel (referee)
The thesis called The Costume in the Theatre Played by Adolescents attempts to get a look in a specific area which is part of any theatre production. In the theoretical sphere it looks at the concept of the costume from the point of view of the current theatrology, defines its function as one of the important signs of the theatre communication and perceives it as a significant style-forming element of any theatre production. It summarizes the development of the costume in different periods of the history of the European theatre and deals with its use in the context of the school theatre of religious orders. In the narrower point of view it opens up a question of the function of clothing as a costume in civilian life. It specifies it as an important manifestation of identification with the belonging to certain groups - subcultures and looks also at the issue of the use of costumes during experiential events such as LARP and Cosplay. The thesis demonstrates on specific examples of several theatrical productions different variants of the work with a costume in the theatre played by adolescents nowadays. The research section of the thesis offers a framework view on the issue of the use of a costume in theatre groups in elementary schools of arts and their public presentations.

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