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Digital restoration of optical soundtrack
Poledna, Marek ; NEUBAUER, Petr (advisor) ; REJHOLEC, Pavel (referee)
The main topic of this thesis is restoration of optical soundtracks on films. The
thesis includes rough introduction of historical evolution of technical means of
film soundtracks as well as problematics of optical soundtrack reading,
restoration of optical domains of soundtracks and postproduction restoration.
Postproduction phase of the restoration process is demonstrated on a specific
restoration example of the film "Ostře sledované vlaky" soundtrack. A brief
discussion about specifics of the film restoration field is given at the end of the
thesis.
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Art of Magnetic Tape Music
Šmitmajer, David ; GUŠTAR, Milan (advisor) ; CÁB, Michal (referee)
The thesis "Art of Magnetic Tape Music" is dedicated to the genesis of the art of music magnetic tape and its effects on the development of modern music. Through a detailed survey of texts dealing with related issues and preserved audio recordings from around the world, the work seeks to map the importance of magnetic carriers, which inherently has helped the creation of electroacoustic music and also development of pop music. Special emphasis is placed on the fifties and sixties of the twentieth century, when the methods of audio recordings manipulation were developing rapidly and were used for compositional practice which at that time was experiencing numerous innovations and technological development. Described is a generally accepted typology, methodology used and the specific design of equipment needed for sound work with a magnetic medium. Marginal survival technique for the magnetic tape manipulation in the global audio digitization at the turn of the millennium is also taken into account.
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Problematics and technical possibilities of sound in shooting with DSLR cameras
Ujčík, Lukáš ; NEUBAUER, Petr (advisor) ; GREINER, Ladislav (referee)
This diploma work is focused on problematics of sound in cooperation with DSLR cameras. It analyzes technical specifications of sound in the cameras and evaluates their pros and cons. It desicribes technical possibilities and realization variations of sound in concrete phases of creative process, from planning to postproduction, considering type and character of audiovisual product. This all is in context with phenomenon of rapid depevelopment of digital technology and its effect on level of professionality and workflow in audiovisual production.
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Sound Design in Computer Games
Oramus, Tomáš ; NEUBAUER, Petr (advisor) ; Novák, Martin (referee)
This paper describes the sound design in computer games. It focuses primarily on the procedures and technologies commonly used in the development of 3D games and highlights them in the entire creation process of these games. It also points out the differences and specificities of this field, especially compared to the creation of film sound. The goal of this paper is to provide a general overview of the work of sound designer during the creation of computer games.
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