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Dance in Brno
Papcun, Peter ; Všetečková, Alena (referee) ; Galeová, Nicol (advisor)
Contemporary dance theater faces the problems of insufficient infrastructure and unsuitable spaces for its performances. Classic theater buildings and other transformed spaces often do not meet the specific needs of dance art. The lack of new, specially designed spaces in the Czech Republic leads to the migration of dancers abroad or to Prague. In this work, I devoted myself to the analysis of the current issue of dance theater and at the same time I focused on the analysis of the solved plot. Based on these analyses, I developed a proposal for a new theater that reflects the identified problems, offers solutions and deviates from standard ideas about the theater. The goal of my proposal is to create an environment that will be in line with the requirements and needs of the dance theater today. When designing the theater, I took into account aesthetic, functional and technical aspects in order to create a space that will allow the presentation of dance performances in the best possible form. The result is a comprehensive theater design, which is based on thorough analysis and at the same time brings innovative solutions for dance theater today. The building should be integrated into the scale of the city of Brno and become an integral part of its life.
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Dance in Brno
Ondřejová, Daniela ; Páterová, Kateřina (referee) ; Galeová, Nicol (advisor)
The aim of the diploma thesis was to design a theatre building for dancing, placed in the centre of Brno, in one part of Roosevelt Street in the park of Danuše Muzikářová. The design continues in the pre-diploma project with the topic Ideal: Dancing Theatre, which examines the history and present of the stage space for dance, different ways of use of the space, theatre technology, the economic demands of the sustainability of a cultural building and its comparison with foreign countries. Especially there are interviews with people that are somehow connected with contemporary dance. I mainly follow historical development and interviews. In my opinion, dancing theatre in the Czech Republic does not have as broad audience as it could have. That is why I design the centre for dance, where I try to give people an idea of modern dancing theatre in different ways. Because it is a new form of dancing performance I wanted to look at the design of the theatre from a different point of view than usual. In the theoretical part of my thesis, I concentrated on a Japanese tradition connected with a dancing performance and overall perception of space and architecture. From those theses, I chose principles which I used in the design of my diploma project.
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