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Contemporary European Animated Features for Adults
Dohnalová, Kamila ; RYCHECKÝ, Tomáš (advisor) ; DĚCKÁ, Eliška (referee)
The master's thesis on Contemporary European Animated Features for Adults
describes and analyses feature animated films for adult audience that were produced in Europe between 2009 and 2015. The animated feature film historical context as well as the aspect of adults as the target group are mentioned. The thesis’ assumption is that ten years ago Persepolis and Vals Im Bashir has settled a new direction of European animation. Within the determined and described criteria the common features of analysed films are introduced, including the most common stories, genres, animation techniques, ways of financing and distribution channels. The general frame of European animation as a whole is described. The contemporary trends and tendencies are defined based on the analysis of finished films as well as those in development.
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Analysis of project management in the creation of audiovisual works
Bilák, Martin ; Truhlář, Filip (advisor) ; Horný, Stanislav (referee)
The aim of this work is to analyze the project management approach to the creation of an audiovisual work. To characterize the different phases of the project, define the principles of management and process control. Outlined the process and the steps that must undergo the creation of an audiovisual work. The other half of the work deals with the actual film and the process of creation. It analyzes the phases and is characterized by the outputs necessary for the creation of the work. Finally, a comparison of the process of creating two student films and their different approach to policy.
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Sound in feature films without speech
Klusák, Martin ; ČENĚK, Jan (advisor) ; KŘÍŽ, Jiří (referee)
The main goal of this thesis is to describe the unofficial genre of films without speech and to analyze principles of the use of sound and film language in such films.
Initial chapters speak generally about the phenomenon of feature nonverbal cinema with the focus on its historical development and general film language.
The middle part presents, and briefly describes chosen films without speech, and suggests their sorting into sub-genres.
The last, vastest part of the work, is an analytic study of various approaches to reduce speech generally throughout film. This part leads into the final theoretical description of soundtrack in films without speech.
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