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National Repository of Grey Literature 13 records found  previous11 - 13  jump to record: Search took 0.01 seconds. 
Hooligan as an object of film analysis
 Volek, Jiří ; BLAŽEVIČ, Jasmina (advisor) ; Bojar, Tomáš (referee)
Final thesis reflects the preproduction and production of thesis film with the topic of radical football fans. Work defines the theme of violence in the world of rowdies and film work with them. Further analyzes not only the history of football fans, but their categorization in terms of sociology and their impact on contemporary society. Work is devoted to the history of Czech cinema, working with the motif of the football world. The reasoning at the conclusion of the thesis reflects the impact of the films on this topic at the general audience and selected subculture.
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Dance in films by David Hinton
 Bartošová, Kristýna ; NĚMEČKOVÁ, Elvíra (advisor) ; Hulec, Vladimír (referee)
"I believe that dance and film belong together. Both is based on movement and both is about aplication of structure to action. Or - as Tarkovski said - about sculpturing in time... It is more impressive when we express anything physically than verbally. I think dance film is clear filmmaking. And the most impressive one." (HINTON, David. Taneční zóna; Tanec a film jsou si souzeni: Rozhovor s Davidem Hintonem. 2011, č. 15. DOI: ISSN.) David Hinton is a celebrated British film director who has twice won BAFTA awards for his documentaries. His dance films have also won many awards, including a Prix Italia, an Emmy and the IMZ Dance Screen Award. He also works with archive materials a lot. This thesis tries to apply his theory to his own work. It tries to analyze dance principles which he uses in his work through all genres. Film is a dance, editing is creating choreography.
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Peter Watkins - Monoform
 Hogenauer, Michal ; Musil, David (advisor) ; VALAK, Radim (referee)
The theses deals with the life and work of british film direct Peter Watkins. It starts from his amateur work and goes to his last film. The individual films reflect the filmmaker's continuous effort to create films against the establishment and monotonous methods of directing and producing. The second part of this theses describes the monotonous formal concept named by Peter Watkins as Monoform and his personal and conscious distancing from it.
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