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Haptic model for visually impaired according the wall painting depicting the story of Samson and Delilah at Chateau Kratochvíle.
VEŠKRNOVÁ, Iva
This diploma thesis is divided into two parts - theoretical and practical. The theoretical part is devoted to depicting biblical themes in the history of art from their beginnings up to the early modern period, especially in connection with the South Bohemian chateau Kratochvíle and its fresco decoration. Furthermore, the text deals with depicting the story of Samson and Delilah, which is also part of the paintings on the ceiling of the Small Gold Hall at the chateau. In connection with the practical part of the work, the final chapter of the theoretical article focuses on the issue of visual impaired people, including the creation of haptic models as compensatory aids for these individuals.The creation of a haptic model as an aid for blind visitors to Kratochvíle chateau became the goal of the practical part of the thesis. The aforementioned fresco depicting Samson and Delilah served as a model for the depiction. The resulting relief was made of sharpened ceramic argil and painted with acrylic paint. The model is accompanied by a set of sketches that were used to make it. The haptic model is primarily intended for the visually impaired, but will also serve the general public, as it should be exhibited in the Kratochvíle chateau.
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The concept of the biblical narratives in the Czech art of the 20th century from the late 40th to the beginning of the normalization
Filipcová, Marie ; Klimešová, Marie (advisor) ; Jindra, Petr (referee)
The thesis mainly deals with the specifics of Czech art at the time of communist totality. The main objective was to focus on the artists who due to circumstances found themselves at the edge of a cultural society. They were reconciled with this situation as they refused to betray the beliefs and denominations they confessed. The fundamental common point of their artistic freedom is the choice of themes. In this case it is the biblical theme that was first associated in the fifties with coping with existentialist feelings. And later on with finding artistic expression, which would contain spiritual overlap. In the first part we follow up iconographic parallels. In the second part we deal with individual authors and contexts that determined their artistic creation. In the group of authors are those who are engaged systematically in themes. Among others A. Divis, B. Reynek, I. Sobotka, V. Novakova, M. Medek, J. Koblasa and R. Piesen. In conclusion there is a treatise on contemporary philosophical trends that are connected with creation of our authors.
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