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ANALOGIES BETWEEN INDIAN AND EUROPEAN AUTHOR´S CINEMA OF THE PERIOD 1960 - 1980
Rampal Dzurenko, Viktória ; BERNARD, Jan (advisor) ; ŠPAČEK, Radim (referee)
Indian Parallel Cinema is the mixture of Contemporary, Experimental and Art Cinema of India and always consist of low budget. Indian Cinema had started with its first silent film "Raja Harishchandra" in 1912. Indian cinema is often defined as Bollywood or Masala Films of India, since it is also the popular form with its ritual of song, dances and over-the-top melodrama. However, the 60s and early 70s were time of experimentation in the format of storytelling and form in Indian Cinema. Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content, realism and naturalism, which reflected social and politics topics during those times. Indian parallel cinema represents a change of direction or a break with the traditional Indian cinema.
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"Light-motive" in czech documentary
Přibylová, Květoslava ; RŮŽIČKOVÁ, Alice (advisor) ; ŘEZNÍČEK, Martin (referee)
"From Faithful Star to Light Pollution: Artificial Light Theme in Czech Documentary Film," compares six documentaries made in different epoch and showes how the point of view on the topic of artificial light is changing. Except for showing main changes over time, the essay wants to underline that there are also some symbolic meanings of artificial light which remain permanently regardless of history.
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Stereoscopy in czech auteur film
Moravčíková, Darina ; PETRÁŇ, Tomáš (advisor) ; DAŇHEL, Jan (referee)
This thesis explores the contribution of the first Czech stereoscopy auteur feature film, Heart Beat 3D (2010) directed by Jan Němec, in context of the historical development of the medium and discoveries in the filed of its expressions. The thesis uses a theoretical prototype model presented by André Gaudreault and Philip Marion in their essay 'The Medium is Always Born Twice', that is an attempt to delineate the birth of a new medium in its complexity. Second part of the thesis is a film analyze which is focused on a way how the expressions of a stereoscopic medium are used in the film Heart Beat 3D.
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