National Repository of Grey Literature 4 records found  Search took 0.00 seconds. 
Teaching-space paradigm
Behro, Daniel ; Maršíková, Hana (referee) ; Sládeček, Svatopluk (advisor)
What should the current area of higher education be like? And what should be the space for creative work? Is the type of teaching reflected in the school building itself? I wonder if, for example, the Faculty of Social Studies would be made up only of social spaces? If the Faculty of Mechanical Engineering were to look like a hall for the production of automotive components, what would the Faculty of Legal Studies look like? And what about the Faculty of Architecture? Does the appearance and quality of the building determine the appearance of the projects created there? Does its structure affect the next generation of architects? Or should it be as clean and white as canvas before the first stroke of the brush is projected on it? I deal with both assumptions: the building as a pure paper, which gives freedom for creativity and does not limit the mind, and on the other hand, matter, structure, space, which shows what architecture can do. I prefer freedom of choice, which is why I want to describe both approaches in the proposal. Open-space free layout versus firmly defined closed studios. Artistic space, free versus technically and rationally defined space. Virtual space versus space of unchanging matter.
Teaching-space paradigm
Behro, Daniel ; Maršíková, Hana (referee) ; Sládeček, Svatopluk (advisor)
What should the current area of higher education be like? And what should be the space for creative work? Is the type of teaching reflected in the school building itself? I wonder if, for example, the Faculty of Social Studies would be made up only of social spaces? If the Faculty of Mechanical Engineering were to look like a hall for the production of automotive components, what would the Faculty of Legal Studies look like? And what about the Faculty of Architecture? Does the appearance and quality of the building determine the appearance of the projects created there? Does its structure affect the next generation of architects? Or should it be as clean and white as canvas before the first stroke of the brush is projected on it? I deal with both assumptions: the building as a pure paper, which gives freedom for creativity and does not limit the mind, and on the other hand, matter, structure, space, which shows what architecture can do. I prefer freedom of choice, which is why I want to describe both approaches in the proposal. Open-space free layout versus firmly defined closed studios. Artistic space, free versus technically and rationally defined space. Virtual space versus space of unchanging matter.
Position of youth Příbramska to Baroque architecture. (Svatá Hora)
ŠUCHMANOVÁ, Karolína
The objective of this bachelor thesis are the findings what is the awareness of pupils at elementary schools of the baroque architecture and of the pilgrimage place Saint Mountain, too. The literary comparison of the accessible sources related to this theme and to the analysis of the particular wholes of the baroque architecture in Saint Mountain near Příbram went off in the theoretical part, which served for the basis for the research part. I elaborated the questionnaire inquiry about the knowledge of pupils from 6th and 9th classes at elementary schools of the baroque architecture and of the place Saint Mountain in this part.
Prague architects with origins in moravian Wallachia (Valašsko) and their relationship to vernacular architecture
Sedlická, Kateřina ; Motyčková, Dana
Architects Václav Hilský, Rudolf Jasenský, Richard F Podzemný, Antonín Tenzer and Oldřich Skalík – their relationship to Moravian Vallachia (Valašsko) and their involvement in the Surveying Project of the Czech Academy of Sciences and Arts (1941-46) in this region.

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