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The dialogical existence of human being. A socio-phenomenological approach to the language for the question of the human In-Between
Schmitz, Vanessa ; Sepp, Hans Rainer (advisor) ; Kurbacher, Frauke (referee)
According to the topic, it is only possible to offer a conclusion of the main concern. Considering to the irrevocable world-relationality of the human, the main concern consists in describing the siginificance and necessity of speaking with each other concerning the concrete constitution of reality, with an eye on the limits that go along with it. Finally, the development of a Poetical Attitude is given as a suggestion to solve with the question of human intersubjective existence based on the motives of justice and love, and which is closely interwoven with the dialogical dimension and the intersubjective narrative entanglement of people with one another. Keywords: Togetherness, Speaking one to Another, Poetical Attitude, Openness, Justice, Friendship, Dialouge, Life, Love, Human Existence, World, In-Between.
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The Novel as Moment of In-Between. Oikological Considerations on the Where of Belletristic Prose
Vanbrabant, Jonas Kristiaan ; Sepp, Hans Rainer (advisor) ; Nielsen, Cathrin (referee)
The Novel as Moment of In-Between. Oikological Considerations on the Where of Belletristic Prose Jonas Vanbrabant Abstract This master's thesis addresses the phenomenon of belletristic prose from an oikological point of view, on the question of the place of reading and writing. Considering the novel, and in the same breath the novella and the short story, as multiple moments of 'in-between' opens up perspectives beyond the phenomenologically superseded dichotomy of receptionist aesthetics on the one hand and productionist poetics on the other. Drawing on a wide variety of thinkers from the broader field of Husserl's legacy, notably Adorno, Bakhtin, Blumenberg, Derrida, Eco, Henry, IJsseling, Kundera, Levinas, Palmen, Richir, Ricœur, Schapp, Schütz, Sepp and Stein, the in-betweenness of the novel is explored in three chapters. Firstly along the selves of the reader and writer and the characters, showing, with focus on the role of empathy and affective phantasy, that these figures cannot but be configured inside the in-between of the literary work. In the second chapter regarding the problem of fiction, in which, minding the realistic and the imaginative preserved in fiction, the novel is being depicted as woven or weavable fabric, which precisely because of its in-betweenness leads to meaning and sympathy....
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