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Jan Dismas Zelenka and his Six trio sonatas
Hucek, Jakub ; MIHULE, Jiří (advisor) ; MIHULE, Jiří (referee)
This work focuses on the biography and magnificent chamber composition of the Czech composing master of the 1st half of the 18th century. Briefly describes the milestones in his life, successes, and disappointments. It draws on previously mentioned unclear facts in the environment which he was moving. It also discusses about the circumstances of some other impressive works.
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The Lamentations of Prophet Jeremiah for Basse from Jan Dismas Zelenka
Nosek, Jaromír ; JANÁL, Roman (advisor) ; BÁRTA, Martin (referee)
This Bachelors Thesis The Lamentations of Prophet Jeremiah for Basse from Jan Dismas Zelenka processes an elaborate interpretative analysis of chosen audio recordings. It is concerning at searching differences as well as common characterics of these interpretations and consider its´reasons.This study is supplemented by information about recording factors and Zelenkas´ opus formation circumstances.Thesis mediates an insight into the life of Jan Dismas Zelenka and a historical context as well.It shall bring not only a complex material for deeper understanding to the Lamentations and the composer Zelenka, but also an inspiration and reflection about general principles of interpretation - vocal as well as musical.
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Bassoon in a cycle of Six sonatas by Jan Dismas Zelenka
Hudeček, Jan ; HERMAN, František (advisor) ; SEIDL, Jiří (referee)
As a main task in my bachelor´s thesis I chose to resolve especially a technical problems of bassoon?s parts of Six sonatas by Jan Dismas Zelenka and to try to
facilitate the playing of interprets as much as possible. Next fundamental issue
which I decided to solve is an interpretation and its phrasing. Also we can find in
this thesis humble analysis of sonatas and important informations about their
origin. I devided my bachelor?s thesis in three chapters. In the first one I deal with the
life of Jan Dismas Zelenka, in the second one with the origin of cycle of Six
sonatas, the exact titles and the structure of individual sonatas. In the third
chapter I?m engaged to mentioned technical problems, I solve the possibilities of
practice, phrasing, how to make it easier and also I present brief analysis. In the
conclusion of thesis I solve for example a possibility of complete edition of all
cycle during composer?s life, I mention the most important records of world and
czech interprets and I pursue with a recapitulation and a vision of my bachelor?s
thesis.
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