|
|
The Character Returning from Concentration Camp
PUKLICKÁ, Vendula
The Bachelor's thesis focuses on depicting characters returning from concentration camp and shaping their identity in five titles: Píseň o lítosti (1947) by Viktor Fischl, Ohnivé písmo (1950) by Karel Josef Beneš, Dita Saxová (1962) by Arnošt Lustig, Štír (1983) by Zeno Dostál and Hana (2017) by Alena Mornštajnová, representing the period discourses of the second half of the 20th century and the beginning of the 21st century. The Bachelor's thesis will also present the ideas of discourses on transformation of characters that shaped these texts.
|
|
|
Interpretation of WWII in Novels of Authors in Exile after February 1948 - Oblak a valčík of Ferdinand Peroutka and Dvorní šašci of Viktor Fischl
JEDLIČKA, Tomáš
This bachelor thesis deals with the interpretation of two novels, one written by Ferdinand Peroutka, Oblak a valčík, and the other by Viktor Fischl, Dvorní šašci. The core theoretical framework of this thesis is based on the methodological basis provided by Paul Ricoeurs's books Time and Narrative and Oneself as Another, and Hayden White's Tropics of Discourse and Metahistory. The interpretation mainly focuses on the representation of characters of victims of the Second World War, and Holocaust respectively. The last chapter itself contextualises the novel and puts it into the particular context of Czech exile literature, and relates particular authorial strategies found in these novels to the sociopolitical thinking of their respective authors.
|
|
|
The Revenge in Norbert Frýd's and Viktor Fischl's Works
Gričová, Andrea ; Holý, Jiří (advisor) ; Špirit, Michael (referee)
The bachelor thesis focuses on two novels - Krabice živých and Dvorní šašci in which both authors describe events of Second World War. It deals with stylistic and composition processes of both writings and also with the theme of revenge and the related guilt and punishment in connection with the World War II and holocaust. The first part of the thesis deals with Norbert Frýd and his writing Krabice živých, it also states his factual life data, because they serve the better understanding of the origin of the work. The second part of thesis deals with Viktor Fischl and his writing Dvorní šašci and also states the factual data from his life. In the conclusion it summarizes the collected findings. Keywords Norbert Frýd, Viktor Fischl, the Revenge, Second World War, Literature
|
|
|
The Cultural Space and Memory in the Work of Viktor Fischl
Štychová, Michaela ; Vojvodík, Josef (advisor) ; Špirit, Michael (referee)
The aim of this work is to show, how the collective, or rathert he cultural memory is realized in the work of Viktor Fischl in the term of the Holocaust, in which way is the traumatic experience objected in "remembering" in particular Fischl's books, how the characters deal with this experience. Theoretical framework is mainly based on Aleida and Jan Assmann's essays and studies and Maurice Halbwachs's important and inspiring book Collective memory. The main focus of this paper is based on its practical part in which the author tries to clarify and verify conceptions of cultural memory in literary texts. The emphasis is put on those post-war Fischl's proses which reflect the Holocaust exactly from the perspective of author's time, spatial and also empirical distance. This distance creates a very specific form of remembering and its narration. In the conclusion the findings are summed up and generalized. Powered by TCPDF (www.tcpdf.org)
|
|
|
Modern Fable and Apocrypha of Karel Čapek and Viktor Fischl
HÁJKOVÁ, Kateřina
This bachelor thesis concerns itself with modern notions of fable and apocrypha genres in the work of Karel Čapek and Viktor Fischl, namely in Fables and Under-Short-Stories (Bajky a podpovítky), The Book of Apocrypha, Near-Fables and Apocrypha. The work is founded on a comparative study of the genres and authors with the intention to add to the theoretical definition of the modern notion of genre. The work comprises a methodological chapter, setting apart individual elements of narrative, such as motif, topic, narrator and character, and the characteristics of genres, which helps identifying individual elements of the modern genre of fable and apocrypha. In the practical part, methodological points of departure are applied on the texts mentioned, which are compared here. In conclusion, individual elements of the modern genre notion of Karel Čapek and Viktor Fischl are identified. Here, Viktor Fischl is set into a historical perspectiv, as his work is connected to the discourse of the so-called Czechoslovak ?First Republic? and to the work of Karel Čapek.
|
|
| |
|
|
Poetry of Viktor Fischl
ŠTUMPFOVÁ, Barbora
The following master thesis is focused on the poetry work of Viktor Fischl. This thesis is also focused, among the others, on the topic of whether and how a point of view of a lyrical subject on a living in reality is changing in the poems. The thesis deals with the forming of Viktor Fischl's poetry itself in the context of present development and thinking. For showing of a complete author's work it was necessary to deal not only with collections of poems that had been published in book form, but also with available work in manuscript (or typescript) in the Viktor Fischl's Fund at the Museum of Czech Literature in Prague. The master thesis is methodologically based on the concept of Miroslav Červenka's fictional worlds. In his book Fikční světy lyriky (Fictional Worlds of Lyric Poetry) describes, among the others, the relationship of the current world and fictional world in lyric poetry. About the fiction and fictional worlds was thought only in connection with a narrative story. However, also in the lyric poetry it is necessary to think about the fictional worlds and Červenka proves that the relationship of reality and fictional world could be in lyric poem more often than in the narrative. In this master thesis the poetry work of Viktor Fischl is divided for clarity into several parts. Each part is devoted to a specific range of the author's poetry. Collections or cycles of poems were assigned to the chapters according to the period, in which were finished. The first interpretive chapter of the master thesis is focused on work itself, the earliest work of Viktor Fischl, a work from the period 1928 - 1929. The next chapter deals with his work in the thirties. The third significant section consists of the exile poetry from the author's stay in the United Kingdom during the Second World War. Next chapters are focused on the post-war author's work, work from the fiftieth and late poetic work of Viktor Fischl. The last chapter is devoted to poems and some fractions that are not included in the collections of poems.
|
|
|
Lost World in Proses of Viktor Fischl
MUJGOŠOVÁ, Veronika
The diploma work The Lost World in Proses of Viktor Fischl deals with prosaic production of Viktor Fischl with the intention to find so-called lost world, which is mentioned in several texts (fiction and non-fiction). First two chapters of this work develop a methodology and definitions of the subject, which is going to be talked about - about an author and his conception. The work is based on literature concepts like implication author and model author, which is for many different conceptions necessary to define and create a model suitable for the needs of this work. After the definition of subject and borders, in which this whole work is going to be based on in a frame of interpretation, next chapters develop each of motives (like animals, characters, holocaust etc.) and topics (myth, women, collecting), which are to be found in Viktor Fischl´s work. The greatest attention is devoted to space in a fiction world. Through a summary of these motives and other topics, the lost world, which gave the name of this work, is going to be interpreted.
|
guest ::
